` ° and I know a lot of eo le," he sa s. "l’ve alwa s been . . .  
Maklng Th1ngS Happen a middle man tryingpto facilitate sl]uff." y  
Hill attributes a lot of his success to the fact that he’s Hill*S keen netweiking Skills have helped net enly his _  
`ihdi iiifdid ih ¥i$i< ih€ Tighi d¤€$ii0h$ di the right iiihd own career pursuits but also those of his Harpring Hill  
r l don`t mind opening my mouth,” he explains. inedie eliente as well_  
i Cases in point: When Hill met Robert Shemin, *‘Reb was able to get Bill VornDick, a huge music .  
I author of several real estate investment books, at a piedneei whe’S wetked with peeple like Bela Fleck and  
  Scmihdh hi? didhii Shy 2*WhY iidih askihg ahdiii his €X· Alison Krauss, to come out and hear us at the Bluegrass J 
  periences in the field. The conversation eventually led lnn,” explains Yeung ef The Blind Cern Liqnei Picket; ·  
i to a contact with Shemin’s editor. and Hill`s second ·*Heie We were, n tetelly leeeil bend, with ene CD that  
i book (.lCZll. SEIITIC {lling Qlgalll when   COlllI€Clf€Cl Wlfll we`Cl put Out as a garage effeyt en euy ewn_ And he get  
l 2·1L1lllOf Scott Turow at 3 VZlI1ClCYl')llf COIIf€I`€I1C€. Tl'l€lY this huge name te eelne see us_ Eventually Vei·nDiek  
  Chili led to Hiii`S being introduced to T¤Y0Wi$ €dii0Y» signed us to a two—CD contract, and we’ve gotten to work  
r who has a contract on one of Hill`s forthcoming books. with the finest engineers in Neshvillef Yeung says  
i Arid his Scifwuaht foray imo p¤·<>f¤SSi¤¤¤i r>h<>t<>ar¤- nm credits his ramiiys unwavering support rei his Cie-  
Phy Cami? diiici Hiii ?i$i<€d H W€ii·i