4

-- THE KENTUCKY KERNEL, Thursday, April 29,

19G5

Two Student Art Shows

1

Now Underway At Fine Arts
The annual Student Inhibition in the Dcivutimnt of Art
oiHMKtl Sunday under protest
from a uroup of contributing students.
Tlic protesting students opened a "Reject Show" in the wax
imcstment room on the first floor
of the Fine Arts Building. The
main Student Exhibition is on
display in the art gallery of the
Fine Arts Building until May 30.
The sponsors of the Reject Show
say that their exhibit will remain
open the same period of time.
The complai nts of the students
who organized the Reject
around the judging of student w ork submitted to the original exhibition. These students
feel that muc h good w ork w as unfairly rejec ted w hile in some cases
the student work accepted was
not representative of the individual's best efforts. Often it was
felt that only "safe,"' professionalized work was chosen
and pieces showing experimentation were not accepted.
The annual Student Exhibition this year features 94 pieces
including sculpture, oils, collage,
ceramics and prints. Acrylic
paints and irridesccnt spray
paints arc featured prominently
in the work of several students.
The first of these to impress
the visitor with her quantity of
talented work is Melinda Meyer,
especially her linoleum cut "Pink
Latter" and her intaglio "Red
On Blue Black On White." "Pink
Latter" is featured in the current
issue of "Sty lus."
John Bellue's Senior Exhibit
features opart almost exclusively,
geometric paintings accomplished with masking tape and spray
colors. The violent spray paint '
howused is not
ever, and Bellue's works face a
life of approximately six months.
The largest painting, a diamond
pattern, is particularly disruptive
as a visual experience.
The metal sculpture of Fred
Dishon does not seem to spring
to life as Dare's docs. Highly formalized, it arranges circles and
planes into harmonious effects
that are also dull.
Kenneth Smith has achieved
the best collage of the Student
Exhibit in an untitled piece using swirling levels of white and
dark browns.
A large yellow oil with a
central display of blues and reds
by Don Hile draws visitors' attention with pleasure. Well- Show-cente-

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Shirts

lie-i-

Film Society Schedules
Summer Classic Showings
of the University
Film
expanding
The

is
Society
Experimental
its film schedule into a classics series this summer from June 14
to July 26 in the Student Center Theater, season passes now on
sale through Dr. Alvin Creenberg, McVey Hall for $3.
The schedule of showings will run as follows at 7:30 on the evenings listed June 14, D. W. Griffith's "Intolerance;" June 28,
Charlie Chaplin's "The Rounders," "The Masquerader," "Making
A Living;" and LaurelandIIardy's"BigBusiness;"July 12, llichard
Weine's "The Cabinet Of Dr. Caligari;" July 19, Hudolph Valentino's "Blood And Sand;" July 26, Documentaries: James Agee's
"In The Street," Cartier Bresson's "Le Hetour," and Man Hay's
"L'Etoilede Mer."

Everybody's book on the USSR

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In protest to strident works rejected for the Student Exhibition
students opened their own "Reject Show" as a "congregation of the
unloved," to demonstrate the high level of student experimental
work, using the Wax Investment Room in the Fine Arts Building
as their gallery.

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Spectators examine Ronald Meaax's Senior Exhibit at the Art
Department's annual Student Exhibition which opened in the Art
Gallery of the Fine Arts Building April 25 and will run until May 30.

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5

balanced and strong. Mile's paintunder a heavy surface coat of
ing succeeds in dominating its ae ry lie.
This year's Student Exhibisurnnindings without lapsing
into discordancy or garishness. tion is well worth the room
to it. But the Reject Show,
Jacquclyu Howard's aery lie "Un,
titled" breaks through a care- using a
mild blue background with
room with inadequate
fully
a limited red that stops the eye lighting, provides an excitenent
without distorting the iew of that the larger show cannot
the painting. Yet a large aery
equal.
the H eject Show attacks this
In the first place, many fine
same problem and accomplishes pieces were overlooked by the
a betfer result.
two sculptors brought in to do
11.
Heese has three aery lies the judging. And in the second
entered in the Exhibit, but two place it is a pleasure to find
seem lifeless. The third, "PathArt Department students deterways To Heir demonstrates mined to present to the public
what Heese can do with his use what they tlunk is the best of
of submerged warmth and light their fellow's work.

.1

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