ILLUSTRATIONS

Frank Duveneck .         .   .    .   .   .    .   . Frontispiece
    From the Portrait by Joseph DeCamp, owned by the Cin-
    cinnati Museum
    Joseph DeCamp's portrait of Duveneck strongly indicates his physical
    and mental make-up and harmonizes very well with Mrs. Pennell's de-
    scription (page 85). The expression of his eyes and hands in the canvas,
    suggesting a quietude that to the outsider might mean almost anything,
    yet to those that know him conveys the feeling of latent power and re-
    minds one that these blue eyes of his are used to look at things firmly
    and to take from them a clear-cut summary of what is there. The por-
    trait is a double tribute of DeCamp to his teacher. It was a work of
    love, time having been taken from commissions to complete it for a gift
    to Cincinnati, where DeCamp was born and received his early art train-
    ing. It also carries the sign of the latter's training under Duveneck. A
    fine piece of characterization; the person summed it up who said, " Cut
    the hand on the left out and show it to anybody that knows Duveneck
    and he will tell you whose hand it is."

The Old Schoolmaster         .    .   .   .    .   .    .   .  4
    Owned by the Boston Museum of Fine Arts, now hung
    in the house of its former owner, Mrs. Henry C. Angell,
    Boston

W  histling Boy     .    .   .    .   .   .    .   .    .   .  8
    Owned by the Cincinnati Museum

Woman with a Fan .                       .12
    Owned by Mr. M. A. DeWolfe Howe, Boston

Young Man with Ruff          .    .   .   .    .   .    .   ..6
    Owned by the Cincinnati Museum

Portrait of Professor Ludwig Loefftz             .      .      20
    Owned by the Cincinnati Museum