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 l I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I
 l Beginning this year
 · the annual number
l of graduates never
 i drops below IO.
 i
 , Football began a
E year ago, but the
 ` first coach of record _ _ _ , d_iTi._i.. V; V __ i uw _ _, __ _  
  is pmrcsmr AMV The Eunkhouser Building is perhaps UK s  i+,é+iV  ,.;,p;l;;?    Q  
 ‘ Miller. most significant structure of the 1930s. It is ¤**.E'+; ;+Z+   i=§_; · -,31+:;  ;VV_`E¤&\__
 , built in the Moderne style, popular with the   “    i  ·r 
l . , . IINIZ .[`l’__ y U A Vu   . __Vi V ,
 ; I 8 9 3 Depression-era public, which combined elements ? '=' ++  . i »    1.. ease 5
` . . . · l`!lIll~ Zl ix · ‘;I-,i,»
  ° ° ° I ° ° · of traditional architecture, Art Deco imagery  ··'·1* at- L 5*  
 i tht Alumni A5S°°l°' and the oals of “ ure" modernism  ri   °'7 E  zi
= tion iesw.00 in debt. ug _ , P ` ' . ;,.,      ei,  
 ` l think it is an understated version of ian,. ·   g - , .e¤¢:¤:<·;i,,ii,y...·di‘·
 ~ ,, . "f&%'é·  gg i·'   .l 5%%,11* Hiiri F
i 1 9 O 3 the Moderne, says Gary Hisle, a professor of  .L ._·—-gig ,, £,i , L  
 l • • . • • . • human environment, Uitys the designers idea      
 l Alumni are showing ofinstitutionalizing what was basicallyacommer-     VV V V   v:_» V V A_»_; I   ·
  first interest in the eial style. He made it more appropriate for a `  i  , _ _ jji·i"; ,’._‘   '_>__ __ V
l Colleges athletic ll · A h · · » I- , ag     V V   _ V _e   .,.;»1; » ; 
g k _ co ege setting. t t e same time, it s some- B V k d VV E V V d V
 s Ijjfdmjérfgjgojggjl thing that delights the eye, beyond the initial =·¤ me ¤¤·¤¤¤=·¤¤ QM =¤¤= ¤
E mm_whm,hc,/myc impression. Thengore you study it, the more (Th _ V { h_
 V on clabomc CO"? ,/Ou dlscmyel- m lg V V e tower was very typica o tV is
3 tion" ¤¤d ¤¤SS¤f¤¤¤d The architect, Ernst Vern ]ohnson, was tlma P€ttOCl and the M0d€th€ $tYl€» Wht€h Was
 l chewing tobacco, Q Ciassmate Of Elie] Saarmcm the Fim-,iSh.bOm a style of skyline and silhouette. The silhouette
l cigam and cigmnm architect who is considered one of the great is t;OttlhV`§aht and ligds ah air Oilmimttahtell
I (
mOd€m,stS_ an Wlf in t at S1 ouette you egin to pic
 Q . . I, 9,0 ,4 . . “The Scandinavian design influence results UP Oh the taxtutal Pattatha lh the htltkil he $ald·
l (( ' ' '
[ P,mL_mn Hull ig hu", in some of the interesting brickwork, as well as The t0W€t 1t5€lt 15 V€YY U¤€CO¤0m1€al
  (The oldest regidenee the industrial-looking metal windows,”Hisle said. lh tatms of 5Cll-lata f20f3g€ 8f€H· lf 15 pflmatlly Z1
,» . .
  linll on campus. women The central tower is the key design element, gesture and SYmbOl·
l` "“d““" "f“`“ '"‘l“““ not only for the building itself, but in how it lh additbh tO the dlstlhctlw? ¤h¢yr¤¤-
ll I , , , ,‘ . .
  I(;;;;L(;?§lXgu<;1;V];;lr relates to the campus. The tower anchors the shaped paffefnsln the bt1cl<,the facade ofthe tower
 i ,,,,,,1,C,, limi {xm) end of the pedestrian walk leading to Memorial has Several htttka that Saam tO Jtit Out randomly-
· Hall, creating a dominant spine through b d I Yglild be V€tY agptlaag it there had
V placement of the ‘random’ br1cks]’ Hisle says. j
= "More likely, in working with the masons, the
[ architect might have indicated in general
i where something might be changed, giving the
, workmen something of a free hand to express
i .r - . . .
g ,·  ___\ . their own creat1v1ty.”
l ,·’i;·] ‘  »_ T Ze ·`_ ./ i = » He said the idea of the workman as
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; ,i‘ »_' A ` ~ · ` Z   l j — » I , __ being himself an artist is a craft tradition going
l   ··_' i   Tji / `~   . ` · . back to medieval Europe.
i   gw Q`; l   According to architecture professor
i         fg ` § Leslie Hennessey, brickmasonry was a highly
i i' il ' VEV   Z developed local skill until World War H. V
i li;   Ll ij}   `Ptrchitects could count on masons to ,`
5 7*   " . il ` 1 Funkhouser Building complete buildings with the finest materials  
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, . ‘ r r >jr·j·+—— . E   li; r,· l , and details, even making the buildings better T
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{ i L: . ·_ = < < · t : t ·» - . , , ,, than the drawings. World War ll disrupted the y
        ·     Qt} ; ·   i V _ old ways and caused the end of the tradition l
 Tee   . "' A   QT" l il f   LE  E.; of masons. There was a great demand to put
`   ‘ T   ······o ’ · r· **5* up buildings quickly, and the old style of
i ‘‘’‘ I     V i     if { t l'   A   `  brickwork became too expensive. And the
. . e · . . —•-·e _   . . .
,  ,‘_i•"‘ _ .si__fi...J.   · ' ‘ 'a ·i rr   ` w     traditions were no longer being passed to the
E l` . Y I   £~.; next generation.”
  j i ` i ‘   + Qi"   The brickmason’s art is also evident in
· V r`   . `j ` - .   other Depression·era buildings, including
l · . . *7 . .
‘ » · lg V I l Lafferty Hall and the Engineering Quadrangle.
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