Course Descriptions
TA 271 WORLD THEATRE II.
(3)
A multicultural and transnational examination of the history, theory, dramatic literature, and
practices of theatre from 1500 - 1800. The second of four courses in a four semester sequence
of World Theatre.
TA 274 WORLD THEATRE IV
(3)
A multicultural and transnational examination of the history, theory, dramatic literature and
practices of theatre from 1950 to the present. The fourth of four courses in a four semester
sequence of World Theatre.
TA 275 STAGE MANAGEMENT.
(3)
This lecture-studio course explores the role and responsibilities of the stage manager in
academic, community, regional, and professional theatre settings. Prereq: TA 115 and TA 260.
TA 286 SOCIAL ACTION THEATRE.
(3)
This course will explore applications of theatre practice and performance as they contribute
to various cultures and/or community groups.
TA 300 SPECIAL PROJECTS IN THEATRE (Subtitle required).
(1-3)
Reading, research, lecture and experimentation in a particular area of theatre history, theory,
design and/or performance. This course will enable the student to link theory and practice to
develop a role, or performances study for the stage. May be repeated to a maximum of twelve
credits. Prereq: By audition or permission of instructor.

TA 370 STAGING HISTORY.
(3)
A one-semester course dedicated to the research, development and creation of a “Docu-Drama”
or Documentary Play based on a local, regional or national historic event, era or site.
TA 374 SCENE DESIGN.
(3)
Process of evolving a scenic design through play analysis, research, metaphysical association
and the assimilation of theatrical art forms against practical prescribed limitations. Practice in
developing floor plans, elevations and simple sketching techniques. Lecture, two hours;
laboratory, two hours. Prereq: TA 115 or TA 150 or consent of instructor.
#TA 383 PLAY ANALYSIS.
(3)
Student actors, designers, directors, playwrights and dramaturgs will be introduced to critical
methodologies that can be applied to in-depth analysis of a variety of styles and genres of
dramatic literature and performance.
TA 384 BLACK THEATRE WORKSHOP.
(3)
A workshop that explores the history, literature and performance of theater artists of the
African diaspora. (Same as AAS 384.)
*TA 385 WORLD THEATRE I.
(3)
A multicultural and intercontinental exploration of the history, theory, dramatic literature, and
practices of theatre from its earliest origins to 1800 c.e.

#TA 311 AUDITION TECHNIQUES.
(3)
This course is an introduction to basic theatre audition techniques. Prereq: TA 115 and TA
215 or equivalent.

*TA 386 WORLD THEATRE II.
(3)
A multicultural and transnational examination of the history, theory, dramatic literature, and
practices of theatre from 1800 to the present day. The second of two courses in a two semester
sequence of World Theatre.

TA 315 THEATRE STUDIO III.
(3)
This lecture and laboratory class is research and project oriented. Students will analyze scripts
and focus on creating performance projects that are original, collaborative and contemporary
in nature. Prereq: TA 115 and TA 215, or permission of instructor. Majors only.

TA 387 SEMINAR IN DRAMATIC LITERATURE (Subtitle required).
(3)
Advanced reading and discussion in theatre literature, theory and criticism. May be repeated
to a maximum of 12 credits when identified by different course subtitles. Prereq: Major or
permission of instructor.

TA 316 JUNIOR STUDIO: DESIGN INTENSIVE.
(3)
This lecture-studio is research and project oriented. Students will analyze scripts and focus
on creating designs that are effective in telling the story. Prereq: TA 115, TA 215.

TA 390 THEATRE PRACTICUM.
(1)
The study and practice of production, performance, or directing techniques through rehearsal
and performance. May be repeated to a maximum of eight credit hours. At least four hours
production related activities per week. Pass/fail only. Prereq: Consent of instructor and filing
of prospectus.

TA 326 ADVANCED ACTING (Subtitle required).
(3)
A course of advanced study focused on a significant acting style or performance tradition.
Repeatable up to six credit hours. Prereq: TA 115, TA 215 and TA 315 or consent of instructor.
TA 330 THEATRE DIRECTING I.
(3)
Discussion and practice of the director’s basic techniques, methods and responsibilities. Study
of movement, interpretation of line, use of stage areas, use of levels, script analysis, and
understanding dramatic action. Lecture, two hours; laboratory, two hours per week. Prereq:
Major or consent of instructor.
#TA 336 ADVANCED ACTING: CLASSICAL STYLES.
(3)
A course of advanced study focused on three classical western acting styles from ancient
Greece, Elizabethan England, Restoration England, or Neo-classic France. Prereq: TA 115 and
TA 215 or equivalent.
#TA 348 MUSICAL THEATRE TECHNIQUE.
(3)
Musical Theatre Technique will provide students with a basic understanding of the specialized
acting technique required to perform in the genre of musical theatre. Utilizing the literature of
Musical Theatre, students will learn to coordinate dialogue, melody, lyrics, and staging for
performance. Students will be exposed to a basic framework of musical theatre history,
including notable directors, innovations, styles, and productions.
TA 350-352 TOPICS IN THEATRE.
(3)
Reading, research, lecture and/or discussion in various areas of theatre history, technology and
practice. May be repeated three times for a maximum of 12 hours when identified by different
course subtitles. Prereq: Major or consent of instructor.
TA 361 GRAPHICS FOR THEATRE.
(3)
A studio course to develop the graphic skills in relation to theatrical design and technology.
Sketching, rendering, mechanical drafting, pattern drafting, CAD, and relative computer
programs are explored. May be repeated to a maximum of six hours. Prereq: TA 115 or TA
150 or consent of instructor.
TA 365 COSTUME DESIGN.
(3)
A lecture/studio course to teach basic skills in costume design through analysis, collaboration,
research, and rendering. Lecture, one hour; studio, four hours per week. Prereq: TA 115 or TA
150 or consent of instructor.
TA 367 LIGHTING DESIGN.
(3)
Theory, practice and design of lighting for the theatre. Examination of the practical and aesthetic
requirements of lighting through research and analysis. Application of theory to light in a variety
of contexts including theatre, opera, musicals and concerts. Lecture, three hours; laboratory,
three hours per week. Prereq: TA 115 or TA 150 or TA 267 or consent of instructor.
TA 368 VISUAL STORYTELLING.
(3)
Explore communicating a story through non-text based means using the visual medium of
puppet and mask theatre and its associated techniques. May be repeated to a maximum of six
hours.

University of Kentucky

KEY:

# = new course

TA 395 INDEPENDENT WORK.
(1-3)
For undergraduate majors in theatre arts. Pursue independent work under the guidance of a staff
member. Write a paper embodying the results of his research study and take an examination.
May be repeated to a maximum of 12 credits. Prereq: Major, filing of prospectus at time of
registration, and consent of chairperson.
TA 396 SUMMER THEATRE.
(3)
Concentrated practical experience in the UK Summer Theatre program. May be repeated to
a maximum of six credits. Eight hours laboratory per week. Prereq: Consent of department by
audition or interview.
TA 399 FIELD BASED/COMMUNITY BASED EDUCATION.
(1-15)
A community-based or field-based experience in theatre, under the supervision of a faculty
member. May be repeated to a maximum of 15 credits. Prereq: Consent of instructor and
department chairperson; completion of departmental learning agreement. (Approval of Dean
of Fine Arts required for more than six credits per semester.)
TA 470 ADVANCED PROJECT IN DESIGN.
(3)
A continuation of course work in a student’s chosen area of design and production (scenery,
costumes, or lighting). The first half of the course will focus on the design, and the second half
on the production of design. Lecture, one hour; studio, four hours per week. May be repeated
to a maximum of six credits. Prereq: TA 260, TA 265, TA 267, and one of the following: TA
365, TA 367, TA 374; and consent of the instructor.
TA 485 FRENCH THEATRE: CULTURE, TEXT AND PERFORMANCE.
(3)
This course will focus on a particular period or playwright’s work from the cannon of French
Dramatic Literature, and explore the social and cultural world of the period and playwright.
Course work will include a public performance, using both English and French languages. May
be repeated to a maximum of six hours. Prereq: Premajor requirements must be completed, or
consent of instructor. Some knowledge of French is helpful.
*TA 490 SENIOR CAPSTONE.
(1)
A capstone course in theatre. This course measures, through a comprehensive examination and
rigorous exercises, the theatre student’s retention of knowledge from the undergraduate
experience and their preparedness for further education or the profession. Prereq: Senior
standing, completion of core curriculum.
TA 499 PROFESSIONAL THEATRE INTERNSHIP.
(1-12)
A professional theatre internship, which provides students with experiential learning in the
area of theatre arts. The internship is identified and conducted under supervision of a Theatre
Department faculty member. Students must file a learning contract with the College of Fine
Arts. May be repeated to a maximum of 12 credits. Prereq: Overall GPA 2.5, upper division
standing in major, or consent of instructor.
TA 516 PLAYWRITING.
(3)
A course designed for students interested in creative drama. The completion of at least one play
is required. May be repeated to a maximum of six credits. Prereq: Consent of instructor.

2013-2014 Undergraduate Bulletin

* = course changed

† = course dropped

593

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