xt7wpz51kb2v https://exploreuk.uky.edu/dips/xt7wpz51kb2v/data/mets.xml The Kentucky Kernel Kentucky -- Lexington The Kentucky Kernel 1985-07-03 Earlier Titles: Idea of University of Kentucky, The State College Cadet newspapers  English   Contact the Special Collections Research Center for information regarding rights and use of this collection. The Kentucky Kernel  The Kentucky Kernel, July 03, 1985 text The Kentucky Kernel, July 03, 1985 1985 1985-07-03 2020 true xt7wpz51kb2v section xt7wpz51kb2v , _____________________————_——————————__*____
— 3 '
Vol. LXXXIX, No. 167 Established l894 lndOP-ndont since 1971 July 3. 1985
UK officials deny Evans’ attacks on lab work ' '
is} sum want) _—-——————‘———'— But L'K President on: A Singletary -
Editorin-Chief told the committee “it has always been ..

u - our posmon that basic program direction
FRANKFURT _7 W officials yester‘ We do not know of nor were we told of any issues E a» dwsmn to be made by {he Energ) .
| day refuted statements made by state that could not have been resolved had there been a Cabinet“ He said the l'mversny‘s role is
Energy Secretary George Evans to the - - - n to carry out the WlSheS of the cabinet as ' .
legislature's Joint Interim Energy Com- dCSll'e Ol‘ Wlllll’lgnCSS to d0 50' setforthinthecontract ' ,
mittee. _ . (‘hanges in the direction of the re- . '
They told there unaware of the energy OHS A. Singletary. search can be made by amending or re '
secretary‘s displeasure with L'K‘s perfor- UK President negotiating the contract. he said But the ‘
mance in operating a contract laborato det'ISth Evans made “35 “not {0 change '
r}. — the contract. but the contractor " .
Among reasons Evans cited last week for each project is the goal for each. it is G 5“ '9l0'9d S'OVY: P099 7 And as for statements by Energy Cab-
for the transfer of a $4.3 million energy my firm conviction that H projects are — “7—. . “—L' if? inet OffiClalS that ['K does not do enough '
,7 research contract from [K to the L'ni- on schedule, four are ahead of schedule Eimfirsééiggszn :jr'dathfészgghhdjlagb applied research. Singletary said. "I can ‘ * :_
veis1ty of Louisville was his claim that andeightareoffschedule " ratorv C a ' only 533‘ that SUCh people are talking '
z; of 25 projects being worked on at the [PW-ms also said the um . through their hats."
‘ , 'erSit ' showed . -, .- .
. Kentucky ( enter {9‘ Energy Research of the projects behind schedule Sen d a reluctance to respon d to Bequest ed He defended LK s basic, research and
. Laboratory were behind schedule. lein said. “We had equipment problems changes in the direction of research c _ such research at universmes in general. , -
But former director 0f the laboratory in three; Personnel changes have been cifically from synfuel research to “pig’s saying. "BaSic research continues to be
Lyle Sendlein said yesterday. u" we are involved in the other five." Responding to make Kentuck coal more acce tabyl one of the truly significant contributions . ,
‘0 assume that the schedule developed to a question from one of the committee ' u . 3' p e ' '
enVironmenta y. See OFFICIALS. pageb ' .
CHE postpones / as _
. L“ "" ,_
Monday meeting . v- "" y / ; a
‘ w -- a . . r ' ' '
Staff reports "I J‘ " s V". a ' '.
, .3 . s ‘I' , _ O ' i 0.,-
The Council on Higher Education's ex- ~ ‘ _ ' w L. ,a. . .- «4“- . - ». “has; :
ecutii-e committee meeting originally i ' "‘ , . . .. ,_ ., a ._ 2‘1": . -. {Myst '
scheduled for Monday has been canceled wwmttl’fifigxfiffrm -' 7" ~ ' W, _' A n - ' ‘X -
because necessary staff work was not "—i' " c?“ ', " ' " ' ,' - “ fig? ,
tl\illl£llllt’. Chairman Burns Mercer said. ‘ in my A229- "',' W .. . . \, " " , as, ' > sf: ; t I
\lercer said he consulted with CHE exr LL ‘ x ‘ a .‘ r L ‘ Vs, " \ ‘- I i 1
ecutive director Harry Snyder and decid- . ’a a \ , . - " 3 , . ‘ i i ‘ ‘
ed ' \H‘ had not completed all the analy- ”*‘t $3.!“ . ‘ ». .. I ‘ ' “s. '
\‘ls needed" for continued discussion of IQLLLLLsgL-Ifgvté; 3‘33, " ,. " - x ’
the counCil's strategic plan for the state's L§Mfi£satw .. :12» f ~« \
higher education system. 1%.- s rs "‘1 fig “2% . _ i * ‘ I
Snyder said council members would «the it‘s a» »‘~m;iz§;,“‘ ,.:, “:3; \ it»; ' ,1
have “examined all the drafts“ and * 3‘ »-* ”5:; 3‘; mffig htfii’ff?’ c Q; “:3; .
come toa consensus. _. ‘i “ " ‘I ""27"" "if“; i)” 3' . 3;. 3?? stag? “T"L‘“ .
One of the drafts was published in the his: wwé-“Vfi’m Wib a . 1.,“ , 2%.; *f" -
Lexington HeraldLeader. and proposals L“+ f “"H‘ifif’mfi “:3? fgfifi“ V 3E3: gm M , fists”
to eliminate UK‘s College of Dentistry L ' ‘, ~f ..'- .3};f:‘;~'fy.f§2§jj§ tags; A ‘ ,3 ~ : i Q 4 ,3 {“1319 __ '
and separate the community college sys- ’ ,_ ‘ 5 ' fat in? 7:}; ”i an; xiiix't‘ha «32m «,j. ' can? £234; ‘emfi .s‘ .
tem brought angry responses from UK _ ' ‘ . -~ = ’ " ,‘. ”- ' 3: L *9 fi‘J‘L '3‘! ‘3n sthdfi ' $3 ~
administrators and trustees »+..»e.. r ,. .. it . » a f a»; L,_,ff~’1 s K _-"_5- 1(6‘1; L LI, “fit: s is -
.u . ' v‘ k ‘ .. . L f "‘ .. r ':."'> L". t
That reaction had nothing to do with .. « . .. ‘ ,~ i . u ’ "1» fi .: . L, . «. ._, .a’
the cancelation and has not “made any ' . ‘ . ' . . _ ‘m __ ._ ,, " ,1 » .' A ":‘53,’ “f“flf'i
difference in my feelings," Mercer said. " , ”W" *‘ ' 15-1., .i ‘ r L ‘2," " f is.“ :. "f, s?“ fit;
“If they have valid criticisms at the ap- ' 3-. ' ‘ 7 . , 4 g . ' 1 . . I." if.” 5s _f‘I' 3st New
propriate time we'll be ready to hear : . ' . . ‘1'“ ' ‘;, ' h. : ‘, _. v" 25¢.-.
,_ _ H. ‘ ._ “' , “a s « F "'-g_._"..s Yucca 2! gm
them' 3 . L ‘ ... " . _ ~ . -’ L my; ‘st‘sg‘wig‘é g}; '3’” V" W
He added that discmsion of the plan ' mummi- “mists"
was not going to be the focus of the meet- Tolly ho:
ing. He said he doesn‘t know when the Chris Green, the captain and owner of Hordboot Form, 0 Lexington polo team, leaves Bill Hilliard, a member
meeting “"11 be rescheduled. bl" sug- the Louisville polo team, behind Sunday of the Constellation Games for the Calumet Cup.
gested late July.
Ga'nes fellowship allows
secretary a firsthand look
. at her professors’ courses
~ l ' ‘ By FM” SIMMS said Nancy Howard of the Gaines Center
i 9, _ Reporter fortheHumanities.
' \ “ ' The fragments of classical culture that The .
. ‘ , . scholarship was awarded through
. , -_ ’ moved across Sharon 3 Gm s Mk the Gaines Endowment for the Humani-
. . b98350 wwwhmmerfetae t t of ties. and the personnel 1 scholarship is “a
s; L - I , . secretary m _ P" men gesture of apprecuition to the non-aca-
’ " ' 3f ' '~ , classmal “M1885 and “‘5'?“ ap- demic persomel at UK who keeptheuni~
'.‘ Plled {0" and won‘the first “he“ Per- versity machinery oiled and operating."
”I, . ‘ ,~ . l sonnelScholarshipintheHumamties. said Howard.
, w ”it; , .. 57,3 ' - ' " "l have developed quite an interest in
L * ,. . ' - ”I '“" ‘ classics over the years that l have "I‘m planning to take Classics 210.
. ' worked for this department and wished I which is about art from Greece and
a i: H i could pursue it. so when the faculty and Rome, and Classics ml. which is about
31'5“": . , . my _‘L students . . . alcouraged me to apply for Greek and Roman literary mama-pieces,
" ' g- . .~,.~~.~ thescholarship. ldid."Gillsaid. . . because they fulfill a University require
. 1": "The scholarship allows the recnplent ment and many new students have ques-
1 t to take a course in the humanitiu each tions about them,“ Gill said. Both classes
L . 4 ; ~ semester for one academic year. A book are taught in English.
. ' allowance of $100 per semester and com-
MS.OIII pensation for work hours missed to at- SeeSE(‘RETAR\.pagc6
tend class are also part of the award."
‘5
1'- .

 2 - KENTUCKYKERNEL WM” M3, 1985
IVER I N
my; (1.. it
-
D b l f ' l ' ' °
. rum corps att e eatures musnca variety , precismn
By GARY LIPSEY trumpetl ke b gles
R I “AM“ " w . l u .
epor er .. . fl ‘ 1 m an! ~— The drum section is very elaborate.
There is plenty to do during the Fourth ‘—'-- ,—- ~—-—--——-—~—o--. “v ‘ ' ’ ‘ _; With snare. drums. TTI‘tOmS “8 50" 0f
. of July weekend. But what about the day ‘”‘ f , ' “rm-- : portable mini drum. set). bass drums of
after" How about something that com- 4' y; _. y .. ’ 1‘! different Size and pitch. several pairs of
bines show tunes. intricate choreography *’ ’ . l v , ~ g ,5 - ”.. - cymbals. and mallet instruments such as
and maybe even a splash of patriotism ‘ ’ ' " " t . 1' ,r.. g... ' 1i . xylophones and marimbas.
' and competitive enthusiasm”? 9 \ . ‘5} ,~ ~ . ‘ ” The corps live a travelingcircus life-
, That‘s what you will find Monday night « ' - " , fi.’ - , ' style. covering as much as 15000 miles
when sis of the nations' finest drum and __, 5*"! r ' p \ ' - during the summer. Many have their
bugle corps compete in "Drums Across i . s "' ‘ . i . Jl ovm kitchen staff and a traveling field
the Bluegrass." a drum and bugle corps l ' . x‘ ~ t i ' , _. ‘ kitchen. usually a converted recreational
competition sponsored by the l'niversity l ‘\ 27% ‘1 5 1 / 3’ i . 1 vehicle The corps rehearse five to eight
of Kentucky Marching Band ' K ‘ “If f «a -' x? . ’ I i ‘ . hours a day and perform almost nightly
Harry Clarke. director of UK bands. 3" ‘g‘s W ‘ r .. ~ . ‘ 'i during the summer Each corps member
‘ said this competition is one of the last be- ’ _ J -_ ‘ m I must be in top physical condition.
tore the corps take their midsummer I i‘ w ' ' L. . - ” Each corps‘ performance is about 13
break. so they will be shooting for a good “2.? , ~ _: ” minutes long. and incorporates jazz.
score to wind up the first half of their 5'" ” classical. folk music. and popular music.
, summer competition. .s- - " such as Broadway musicals.

Scores are based on a IOU-point system. , - . “Drums Across the Bluegrass" is en-
and Clarke anticipated that scores could #. .. ' ., —-————-—— tertainment for young and old. with some
be as high as 60 to 70. which is high for of the best young musicians in the count
this early in the summer. The zany Bridgemen will compete in this year's drum corps battle. try battling for top honors.

Clarke also commented on the emer- The competition begins at 7:30 pm. on
gence. or rather the resurfacing. of the thing in this vein. Casper. Wyo_ July 8. Tickets are $6 for general admis-
idea of a theme-show format for the com» Last year‘s national drum and bugle Drum corps is a youth activity. with sion. $8 for reserved seats tbench-

- Pe‘lng COFPS- Some examples 0f theme corps champion. the Garfield Cadets. about 100,000 young people nationwide backed). and $10 for special priority re-

. shows from the 9351 are shows featuring from Garfield, N.J.. will be competing. partiCipating. and with more than 1,000 served «chair seats. upper decki. Tickets

"10‘” them5~ or themes featuring the Also competing are the Spirit of Atlanta. corps in competition and in smaller pa- can be ordered by sending a check or

' “'CTKS Of a single composer. This is "0‘ a from Atlanta; Suncoast Sound. from rade units. according to a recent press money order. including :1 handling

n9“ Idea: 1‘ has been popular With high Tampa Bay. Fla; Crossmen, from Phila- release. Drum corps use only drums and charge per order. to “Drums Across the

school bands Slnce the early 19705. Ex- delphia; Bridgemen, from Bayonne, two-valve bugles of different sizes rang- Bluegrass." PO. Box 8205. Lexington.

- pect at least one of the corps to do some- NJ; and the Casper Troopers from ing from iarge bass ”1815 to smaller. Ky.40533.
. h 0 O 0 o
. Radio Cafe packs trut , injustice onto seven-inch EP

. ~ First World RadioCafe All thisjachcould maheyou sick. playing music. Although Radio Cafe is and Eddie Cochran's “24 How Rock."
~ Friendly Angel Records When y0u're living in the first world. " about to go “full time“ and embark On a and “Gloria.“ modeled after the Doors‘

Seven inchvs of universal truth from a The UK English department should be tour through the Southeast. rumour has version. in Wthh Sam Gillispie tells
local group is what we‘ve got here. proud — Heartwood has a B.A. in En- it that certain members of the group about his problems with women.

In three songs. Kiya Heartwood and glish from UK — although her learning have been seen in the employ of some fa- The group plans ‘0 record an LP some-

_ ' Radio Cafe dance murder. injustice. and doesn’t get in the way of her writing. Her vorite Lexington restaurants. time in October.
-, bankruptcy of theheart intoa corner. lyrics are to the point, and rife with Washing dishes and waiting tables is The music here is excellent, a progres-
“The ‘First World‘ is the Webb Brothers, imagesof American reality~ what you have to do to get to do what sion in Heartwood's vocal depth, and the
. McDonald's. Reaganomics, the benefit of How to describe Heartwood‘s vocal tal- you want to do. and Heartwood and best work to date by the experienced Gil-
the few. the UK trustees voting down the ents'? A hip-hop folksinger. Chrissie drummer Jim Turner aren‘t kidding on llSPle- Radio Cafe writes and performs in
. sexual harassment clause," Heartwood. Hynde in Converse high-tops. rocking this fast-paced rap that makes you dance the new tradition of American roots/rock
the band‘s main songwriter and vocalist, gospel. with some Eddie Cochran rocka- like you’re running l5 minutes late to the mlISiC heard nationally trom groups SUCh
‘ ‘ said in a recent interview. when the billy throwninforgoodmeasure. boss man, but the last place open to buy as bone Justice. Los Lobos, and The
‘ group plays live. Heartwood intros “The Well.“ inspired by the murder of a new guitar string for tonight‘s show Blasters.
, “First World" with an ironic “y'know, as chemistry graduate student Lin-Jung closes in 10. With no Anglo pretense. jmt using the
opposed to the Third World." Chen. is a dark song about yearning for The song ends on the upbeat, however, sounds Americans know as country, gos-
. _ ‘ security. Heartwood moans “I want to\ with “You can do what you want to do" pel. folk, rap. ska and funk. Radio Cafe ‘
The song. whlcti Is the Singlerelease walk .. out in the moonlight," while repeatedassertively. is“doingwhat they want todo."
{33m Rafi“) Cafels hrs‘ EP ‘ “ looks Tom Thompson‘s bass scares you to This 132?. recorded at Georgetown's As Heartwood who does appear
- l 9 a '38 but pays on 33 — features death, playing the part of the steathily Harmony House Studios. is a quality re- onstage in high-top Consi herself says,
. ._ Heartw rnPjr®h1n8 0V9!” local guitar- approaching. yet invisibledanger. cording. It is by no means comprehen- “We‘re amazed — they like us and we
. man Sam 011159“? 5 continuous scratch Radio Cafe comments on the day-to- sive of Radio Cafe’s repertoire, which in. don’tcutourhair right."
. ‘ guitar, day ”hanging in there" on “Do What cludes a Gillispie-penned (and sung) “First World" is available at Cut Cor-
"Get on down to the starting line _You. Want." which 15 another rap- psychedelic tune “Yardbirds,” a ska ver- ner Records. Bear‘s Wax Record Ex-
. All the rats gotta be on timo inspired tune, with the all-too-true chorus sion of Wilson Pickett's “Midnite Hour." change and Sqecial Media. 1t retails for
~ Second mortagage. second car that “Sometimes you do what you have material from Heartwood’s solo tape about$2.50in First World currency.
. . ’ Paycheck never takes you far. . . to do to get to do what you want to do." “Gravity“ and red-hot versions of Buffa-
‘ It‘s Jack be nimble. Jack be quick. This may be a comment in reference to lo Springfield’s “For What It's Worth" KAKIE URC"
GENERAL CINEMA THEATRES ::
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‘ CPA program JOHN TRAVOLTA g ""9 5‘00“ 0 Concerts: Lexmgton Musical Theatre Promotion Troupe. Broadway
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Lexington. mm, m KATHLEEN TURNER [El 32,: 2Q; :Cfifgwmdme Camp: Monday through Thursday:
momma , .‘ git ‘ ' a ' a” . _

 KENTUCKYKERNEL WM» M3, 1985-3 .
G h P k ' ' ' ° ' '
ra am ar er gets some credit, Siberry LP dazzling - , . ¥ .
Steady Nerves .s 1— w.- v _ . __—. Up all the ashtrays Her nightmares are '
Graham Parkerandthe Shot ‘ ’ i filled Wlth restaurant floors turning to I ~ -
Elektra Records , qmcksand as she searches for her lost - _

It‘s a long way from the English pub- table. but still she sarcastically cone
rock scene to MiddleAmerican radio. fl. . cludes. “I'd probably be famous now if I " ~
but after a decade it looks as if Graham l ' wasn‘tsucha good waitress " , ‘

Parker has finally made it. l f: .. ._ . . . ' -
Steady Nerves may be the best of Par 1 ‘ ‘ g'_ .. Da’lc'llg 9355‘ a qka-V km" S“ = ’
ker‘s nine albums. it's certainly more ' ".~ Mil "if m “dill ”1 3 4 ”me describes a woman 5 . ,
emotionally stabie‘than the muchpraised l ‘ . lose/hate relationship With her body ”‘- 8 . . .
Squeezing Out Sparks. yet rocks with ”2%? “mm "HMS Laurie Anderson-like chopped lyric and ', ’
just as much stern intensity. . . a, , , it com ersational vocal style _ - '
Parker‘s "new” band. The Shot, is ac— " "a, _ estrang" and da'bfom’ , .
tually the now offically named and musi~ 4;. '5 "-“mg
cally looser bunch who sounded so re- . ' v’: "~Vlngt‘fpr-Vm" . .
strained by Parker's uncommonly .~ 9" "“57"” ‘ .
melodic writing last time out on The ' 9.“ mp-"O’" "15'5“” '
Real Macaw. The only relative newcom. " ml“ ‘5 “l” . 4 - ,
er is drummer Michael Braun. who . ””5 ‘5 “'h“ I "‘0‘“
worked with Parker preViously on Anoth- l ~ - "1““ Wm?“ . ‘ . '
er Grev Area. ' . most per/ect each step ,
With a new record label giving him a l ‘ But this is album is no distress L‘ull iron. ‘ .- " > . .
freer hand. Parker did more of his own 1 tie . the downtrodden There s too much goon i 1
production work. which probably ex- 5%; #6:: humor and gentle perception here iv: ' ‘V
Plait“ the CUl'lOH'Ul COHSISWW')‘. that w " at“ ‘« that This is pop lllll>lt' [lint knows bettei _
earlier Parker albums léK‘kf‘d- an-‘ley ' % ”1‘2. f __ than to be as delightfull) simple (h it ‘ .
SChWiiTZ'S lead guitar is more pierctng. " 5! we?” flimsffm g” ‘ sometimes seems (‘lexer non-sequnors
George Smalls keyboards more thought~ ' f , I 5:? like “You can't chop down symmetry V
{UHF arranged and. Kevin Jenkins. bass a y x; . ., float through Siberrys music like flies ’ ' '
more darkly asserllVel. In short. ”"5 LP ' u ’ . ”‘w daring to be swatted for their audacity ‘ '
‘5 "‘0’9- any “'3." you slice ‘l- .. always settling on the dazzling fabric of ‘ , ' _,
Ironically. “Wake UP (Next To You). GRAHAM PARKER'S 'STEADV NERVES' her music just in time to make you smile ,
the song that brought Parker a longde- atyour momentary irritation. . .
served measure of commercial success. But Parker, like Elvis Costello, Lou and Joni Mitchell. . .
is a love ballad that skirts closer to senti- Reed, the late John Lennon and a hand- True to its title. this record is bound by For all her winsomeness, Siberry. who .
mentality than anything the usually acer~ ful of others. is a rock stylist whose fail- no musical traditions. No Borders Here hOldS a degree in microbiology. takes her , i - ‘-
bic Parker has ever done. Fans of Par- ures are often as interesting as his suc- is a grab bag of musical styles — from music "9"." seriously. She "1515““ that , I I '
ker‘s wicked wit will enjoy the way the cessos. Steady Nerves should please electronic avant-garde to acoustic folk her ultra-rare “’5‘ album be available ’ z ‘
album frames “Wake Up” between two Parker fans while finally earning one of and all points in between, often in the only by mail order. on the assumption ' ‘
more typical Parker offerings. the cryp- rock's premier talents some of the recog- same song. that only people seriously interested in
tically bitter “Lunatic Fringe" (“I want nition he deserves. But unlike most genre-blenders, Siber- the music would be willing to track down . - g
to thank you for sticking my neck out") ry‘s work is neither pedantic nor aloof the work of an unknown Even with that .
and "Vlhen You Do That To Me." a lusty No Borders Here Jane Siberry The Canadian-born singer wafts with particularly gutsy brand of integrity 1
ode tosex-as—pastime. ()pen Air/Windham Hill Records ease through both short. snappy tunes gutding its marketing. the album still ‘ ’ ‘
As usual. the fearlessly ambitious Pare Every now and then. no matter how and extended thought pieces. and her 1y. sold 3.000 copies. ’ , I ‘ ‘
ker goes off the deep end a couple of jaded you think you are. an album comes rics are alive with unexpected twistsof- h . . 'h . .. f j -- '_
times. A lyricist of Graham Parker‘s tal~ along that throws you for a loop. And a phrase guaranteed to make you reach for ,T 1'5 time ”09:.th e 51 é‘afler, m ‘1"; , . '
ents griping about television laugh tracks rather charming loop.at that, the lyric sheet while spinning this record Wm analbum “ 1c 39'“ -‘ demands he
'"Canned Laughter‘W is like blasting Jane Siberry's No Borders Here is overand over listeners attentipn without being diffi- . .
cockroaches With a 12-gauge shotgun. wry. shy. witty and winsome. swirling “The Waitress." the apparently auto- cult Thél‘mtn‘aefgfio" true [8" of'g’pod " .
and the politically specific lyrics of with intricate pop/jazz/rock sounds rid- biographical track that opens the album. flip mlNk d“ -l ”1‘ Psi-‘56“ “ll d
"Break Them Down“ -' about missiona- ing an undercurrent of controlled bewil- tells the neurotic tale of a woman so P‘rfe“»‘“’r9- , . . ,
ries destroying Venezuelan culture -— derment that sounds like a engagingly twisted by her servile occupation that (. \ln'PlI-‘Rt'F , -
makeaweak-kneed rocker even shakier. neurotic cross between Laurie Anderson she can‘t go to parties without cleaning ' . - , .
Appealing actors make ‘Cocoon’ a delightful success ' i
It is the first major Hollywood film '— hischarac[er , .
Since “0n Golden Pond" to deal with the He is also the ringleader of the troupe .
elderly, It is also one of the most delight» Like all grandpas he goes fishing with .
ful hits of the summer season. his grandson and is an old-fashioned phi— ,

“Cocoon" iS a sweet science fiction losopher kinda like the Country Time ‘

~ movie set in a retirement home. Three of lemonade man _ g

the residents have been sneaking onto Don't think for a moment that this .
the estate next door and taking illegal movie only has older characters in it _ '
swims in their neighbors pool. There is a romance between the boat‘s -. . .

One day they discover some large human captain [Steve Guttenbergi and -
mossy rocks on the bottom of the pool. Raquel Welch's daughter. Tahnee. one of ' .
They jump in and before long they feel M \~-'* the aliens. Their pool scene gives a new -
terrific and young again. twist to lovemaking. '

The TOCkS are 30111311." cocoons 09“ "Cocoon” is the product of producer '
lected from the bottom of the sea by ViSi- and former “Happy Days" star Ron
tors from Space. Who left them behind ROI \\DM| l.l.l\\ kciiicltiraphivs Howard. “'hO directed “Splash” and . .
10.000 years ago when they were forced and tells them to keep on having fun. but characters. rather than flashy special of. “Night shift." as well as “Gravity." the
to evacuate Atlantis before it started not to tell anybody else about the pool. fects and cold technology. It really is a first music video from the sound track of
sinking, Easier said than done. The old guys kindof“E.T.”forgrown-ups. “Cocoon.“

The pool has been energized with a life Can‘t keep a secret long in a retirement Three wonderful actors portray the old Dopey Opie. pa would be proud of ya .
force to reawaken the cocoons and it home and soon the “fountain of youth“ guys: Hume Cronyn. Don Ameche and.
works on old people too. When Brian totally changes the lives of these St. Pe- saving the best for last. Wilford Brimley. “Cocoon" is playing at South Park Cin
Dennehy. the leader of the aliens. finds tersburg residents. His performance is more real than the emas and Turfland Ma“. Rated p0.”
those new residents in his pool. he The beauty of this sci-fi flick is the way rest. made believable by the ease and LINDA HENDRICKS
doesn't zap them into oblivion. He smiles it relies on the appealing humanity of its even the simplicity with which he creates
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 4 - KENTUCKYKERNEL WM» July 3, 1.9.6
Ke‘Fiiel
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VIEWPOINI i to: .. - :
Ii 73' \ . x.- /’ // \° 7
let-blinked 1.“ Independent Since "11 / ‘L ‘ 2);” V l
Scott Word I . -/ £161 Q ETAGE l“ ‘
EditortinChief ’/ @ K/ t l t
. Cynthia A. Palermo 1."... A. 5"," V t \7 F ll“ l
Managing Editor Editorial Editor ’ r‘ i: I ,
’ \ Wt Z
‘Fighting words’ I
.1] f .l to d tel‘ ‘Well, what do you know, it defused itself.’
f t t rror' ts
ll me e 18 st; D tum _- _ _
Another hostage crisis has resolved itself. . .
The safe return of all but one of their hi~ F d k t f f d
jacked citizens should be a cause of relief to a "lg In no guaran ee 0 rec 0m
Amerfansbegloi‘; at cm??? {:rfconcgm, .léowi Every year Americans have a day hands. As the words on the reverse
ever‘ as n e oug 3, rom rest en when they can think about them- . . of the US. seal claim: There would
" gag?!“ 71:“ easy rhetoric WhICh neither selves and about their nation's call- contflbut'ng be“a new orderofthe ages."
5 nor wi eter any terrorist group. ing. For better or worse meditation COLUMNIST -. . . .
Reagan‘s temperature was obviously at its is usually never Predominant If an??? ‘bfam‘genanaBmlsg‘ wkmgfi’
- ~ _ they rise above the holiday languor . ~ ng' .co m or 05 ev‘ ' '
highest when he swung out at the Shiite ter man the “to" [mum MW _— m the tmted StateS no less than
rorists in a speech Friday, calling them 1v orilendlyslfly. pa ' In his last ears Thomas Jefferson France or Russia, this radicalism
“thugs, murderers and barbarians.” ' The bicentennial year was sup. viewed me generation of ‘76 as “the disstpated into fringe movements;
_ The president‘s penchant for black-and- posedlto be a great reaffirmation of small band, the remnant of that host :anlcfttf, Reaganhgepi‘fese’ilits ehna‘
white thinking leads him onward to ever America. Vietnam and Watergate of worthies. who joined“ in signinga gn:i'tzadlfg$e gumard f$m‘sel‘;{,:;‘:
more extravagant metaphors. From the were 935" the (“mm was weunded document “Pregnant with our own. r , . . .
. . .. . V . . but walking and everyone was inno- dth f t ofth 1d ,. ildence to convert the world now it
“eVil empire (the Sov1et Union) to “Jack- ‘ , . , a" e ae .ewer. ‘ spreadscomplacentlylikeoil
1 .. 1 'll .. cently glad the system Stl“ worked Jefferson. With his fellow John
3.5 (S? vattoran guern 35" to freedom after 200 years. Symbolically, Adams, died on July 4‘ 1826; and -——————————
' . fighters (Nicaraguan guerrillas) he uses Jimmy Carter came from relatively [hen-president John Quincy Adams
words which often have no more meaning nowhere to win the presidency. saw that coincidence as nothing less . _
' than emotional bluster' walked down Pennsylvania Avenue than evidence of divine favor. In his On [his Fourth Of July
. Not that there‘s anything necessarily and mm or a government as g°°d 135‘ 'etter Jeffersonenee agal“ drew there Wt“ be no agonizing
' wron with ten h words Sometimes friends astts maple ~ - ms pen to reenunc‘ate for ms com national autopsies bUt only
, g , g ' , BUt three years later the United patriots the principles of his Decla- . ' .
and enemies are best served by drawmg the States saw itself held hostage vicari- ration. manic self-celebration —
line firmly. And after years of seeing them- ously in Iran Photographs showed “May it be to the world, what I be- waving tiny flags, roaring
selves as a “hel less iant“ Americans the flag ' ‘0 "my Peep'e the "3‘ “eve it will be (to some parts “U s A " l'k
. P g - . . . . l e a mantra
, wanted someone who’d talk like a man tional sudarium — used 35 a Glad sooner, to others later. but finally to . . .
‘ . ' Hefty-weight, This was certainly a all), the signal of arousing men to and mdUtgmg 1“ mass
The prObtem anses When! after the thugs new. 10““ The innocence 0f '76 grew burst the chains under which monk- good feeling . . .
~ and barbarians part, Reagan promises that restive under this newattack. ‘ ish ignorance and superstition had ‘
“terrorists and those who support them Reagan dispelled the Carter ln- persuaded men to bind themselves.
- must, and will, be held to account_” $331131me 3):] dfhsepalr. ‘lslobeon thts . . . That form which we have substi- _
- - - 0 y re W1 no 88' tuted, restores the free ri t to the
. thThte only effect this irrgphed threat had on “filing national autopsm but only um i l exercise of risen and lBut Jefferson thought he could
‘ e errorists was pOSSl y to delay release manic selfeelebration _ waving freedom of opinion. peay Adam and, defying God, build
of the hostages. They apparently are confi- tiny flags, roaring “USA.“ like a “A" e a are n ed 0 . “‘5 earthly C'tY~ 300 years later,
dent that Reagan’s promise of “swift and ef- mantra and indulging in mass 800d ’3 ope ’ r openmg‘ there '5 "° "ew "def but merely the
. . . ,, . . f 1- - hi -d f t- t- to the rights of man. The general same old order that has ruled other
fective retribution against terrorist attacks eeang‘S 33a??? Pa “0 ltSThe k‘ d spread of the light of science has al- nations since the pan; the law of
on Americans wilts when the victims are of ,flycsfi'cism ”Espigfgem lad}; ready laid Open to eVery view the history, the law of sin and death.
just those Americans. out recently, as a benediction over palpnfiile truth. that the mass of The articles of this law are vanity
' ‘ But Reagan still announces, after captors more victims of his engagement in 3;; ogdmhisrnobggfisen gnaflggfgé and ”awn?“ A" things “Fry the
- and captives have said their goodbyes, “ter- Central America. Fighting back his few booted and SW may to WWW 3mm destmct'm. 8"
‘ rorists be on notice: We will fight back Studle tea: “Fe 52??” 33¢ we ride them legitimately. by the grace pas , y'
against you in Lebanon and elsewhere." Is we've "3 m a” .85. V were of God. QchlS Sideof thedoorof regener-
‘ - - - t“ the last mght Of the" “VS ’_ to- ation we can never rise above the '-
' this a promise to talk tougher next time? ethe nd f n wi r dj 1' “These are grounds of ho to oth- - . V'
. . 3 r. a 0 0 ng a a ant '8’“ pe Sion of Ecclesiastes Day follows
. , Reagan should send the mov1e scripts to — following it toward heaven, to- ers. For ourselves. lettheannual re- day‘ generations com; and go. there
storage and let his State Department people Ward home" “mu“ 9‘15 ‘1ng breve.” restre‘hdw’ is nothing new under the sun. ‘To ev-
- do their jobs quietly, which they apparently He chOkes with emotion indeed, figmzcm's‘fid devuomfioengflefiw.‘ 3" erything there is a season . . . turn.
did With laudable success. We can be grate- but it is his hearers who gag. if one H r ' h . the ‘ I turn tug? Biggie 80:18 interprets the
ful the revailed before some frenzied act "“Et blur th