xt7bvq2s7k52 https://exploreuk.uky.edu/dips/xt7bvq2s7k52/data/mets.xml The Kentucky Kernel Kentucky -- Lexington The Kentucky Kernel 1986-09-17 Earlier Titles: Idea of University of Kentucky, The State College Cadet newspapers  English   Contact the Special Collections Research Center for information regarding rights and use of this collection. The Kentucky Kernel  The Kentucky Kernel, September 17, 1986 text The Kentucky Kernel, September 17, 1986 1986 1986-09-17 2020 true xt7bvq2s7k52 section xt7bvq2s7k52 I
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E P Vol. x05 No, to Established 1894 Unwersny ot Kentucky, Lexmgton, Kentucky Independent since 1971 Wednesday, September I7, 1986 5 _ _5 _
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' H “t v in ‘.lt.‘\'tt‘ n ‘ms'vnmn ' "he UK wwvwn s sthn teom warms up by Swttrtr at MGITIOFIOI Coltseum The team 5 Inst meet thI be on Oct 3l ot the Bowlwg l INSIDE 5 ,2 ' .5 -"_
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j ' ' 2:; 31* Au 'q ‘hn beam-22a 2‘ the mom 2 secbnd orgcmzed prorttce yesterday Green Relays l5 _5 ,- , 51' .. . .
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f .5 ___.._.—————_—— ___.__.———————————————-——-———-———‘—— Two of today's top pop and - , .3 55-. ,’ .
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. ree- or- ()0 1n or more merc ants * » . -- ,.
l 7 - ‘ 5 DIVERSIONS Page 2. .1 .- . ‘. '. . - _2
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’ tn tit: \lH HHI’I It in m merchants tur suuua} s testnt allow them to come tn uud utter uught hate produced less merchants ‘ -~ 5 ‘ 5 5. 5 . ,1. 5 .-5 5
5 5 x ' \t‘ 2» Infill“ t'es Hunt \nltl thetrserucesturu tee \t'tllmgtnptrttetpatethan last year w ‘2 5‘ 51.5.7 Despite Saturday's tie, UK : 5 , 5 ’g ‘5.
l 2 "'l‘htmzs are lmkmg up." Hunt Last year 18 merchants took part Lust year s lime-for All was at ““3 ,\_, . coach Jerry Claiborne had - 5,5 .1 5‘5 .5 555. 53
V I ‘5'“ V T t‘ "1.2 3' a? 2 l‘ t‘W Wt \t‘ttl I2\er_\thum ts m place. \\e In the Free-hu‘All ratstng alwut $3. tended h5\ about .Hlltpt‘oplt‘ . - 2 ‘ some good ”5555595 to say . .5 -. ~-5 2 _5 5-5 5 _
‘2» m. "' " "H t‘ “t-H‘M' '2 haw tnur utwl hanrls and the mer mu [hr the .-\e;ulemu Ewellenee "It s possthle that tt mu} haVe ' 5 5 .~. ‘ ' :3 5.‘ .
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l ;. ' 2 In Ixtt‘ltt'ttttllt‘ 1n the I’reevlnr-All. lhts 5\eur prnurgm. wnrdmators t) tltd ll the} had the tapahlltt} Ht 5/) ~ 5 » 5 55 5:5 55‘
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,. . ., ..,, 4 t ‘ sine tee ttl ext-hunue tnr tree puhlu‘t brtuxlfnr thetund. Hunt sattl 5 5 . , .. A.‘ w .. 5 . . 5 _» 1
I t \ W' t ‘1" t dblttm l H't' , .lnhn Meukhaus. thauman ut . . ! 5,. . .5 5. 5_ 5
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. 2 \2 “'2 \W t Hlt ”W“ W"! 2 h 55 m th ”5 5 hr \ll am“ tullegtuus tor Academn Excellence. . \ . 5 .5 ..
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" ' ‘ ‘ 2 "t t\‘ tutl» ‘ 2 t‘ t l ltll llt s t trnn tlllt t'tng \Ill “ hett “kt?” [‘M' the et‘ettl \ pm (In umst “tits ’ odoy w be partly sunny ' ' 1‘ 'V 2‘ I
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- ' ‘ . t . . . i . . .. l 4 .I ~. mttter the lust tun \ears. pulleduut ‘ with 0 high m the mad to . . . .
. ' t t. u. \ 1t en \t ..e-> tannins Hunts saut .he l2tee tor »\ll ,. 2 5 . _ 5 h' 55 .5 5 . .» ~.
. , , M, 5,. ”HUN“ 1“ ,5", 5,5”?th lhts t'adtn s'attttn had pttur cum I m nut sa)tn;. t at ttt Ix» mm. 5 upper 705 and a low tonight . ~. - .5- .5
. ' t"“l .s‘rt ‘ tt t t _ 5 .. , 55 555 5
. ’ mtttmeuts that kept 1t trnm pmmnt dul a shndtl} Job or .unthmg. in the lower 605. Partly 5 . _ 5
t . 1? mat - \lvlttlwlts the s \t‘: the Freetnr \tl ts mm at the mgtheewnt Huntsaul Menkhaus sutd "What I am strung 55555555 and warm 50555055550555 - . _
- . ; .rx .' ..:.s t z \t .ttlt nut‘ I-‘xtt ttt-ntw 11"“ t't)t>“ll”|l!t‘> Wt then: to he nu The Kt-nmt-m Kenn" stepped m ts that a merchant \muld rather ‘ 5 by 5 d 5 _5 ' . . 55- 5x5.
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w \‘ . 1w ' mm c r: 5.. .-~' \w» tampu~ \llt' sat-t lllt\ :s an am as the Free tnr \ll \ prnmntet Iner hate pulthett) on a radio stattnn W" o 0‘" 0’0“" H ’2 . 5 . _2 '5 ..
I ' ' ’v "W‘l L 2t't .ttv ,.' .t as tlt'\l_\ tla} \u tn \t)eal\'. \\ here \\t' the surnnzer \thteh, lluht saul, than\\1ththeKentta In Kenna" I‘ \\ll "l \l . ~ ' ~ 5 ;
‘ I".\ sl \\ \\lt|‘ Hst t\ "No matter 5 . eenter enuld gatn ’greut rmenue u tut-h \wultl put ll \lenkhaus \(gltl that \lljtlé‘l'fx rum-‘2‘ Jr. 3th» ”1‘; y, ‘~_ 5 5
“I“ . “"1" " l 2 " '1 uhat our 3 30“] Ill m the black teasnn tnr the eenter and students shuultf the t' 5
)ersnn'tl n tntnns ( aeeess tn It as ntten as pussmte _
I ‘ p 5 2 tlrnpm attendunee.mupled \\1th expenses .
.'lt t'. :nw umt tun-k t k ~~ltulrtils \\1ll tn-assett are. “ hen “0 re Pl~() .Cct meurred h_\ the Student t‘entet‘ ‘annex‘. are cued hose needs th' the “the; IQ'thtt‘t 5 ,
‘ ' _ lt't m. u u put m2. the 3mm e ut the \ltttlt'ttl ”” themmmtttm- J as the mam reasons tor the ttnanetal pmhlems cummermult/attort 1s hemp: t-nuqttt-w-tt h 5 ,5 2
l. - . I t t‘ltlt‘l' llrt'lt ttll\\\t ts a iht-lpttet ute the “" hm“ ml 5 _ ‘ _ ‘ _ laced h} the center \‘Httttttet't'talt/atnttt happens Hunt «.uu 'hat space . . 5 ~
5.. . «why ”1 “mum-1t \ 5t. , an”; nptntnns. Iayne 2 '2 n n r Frank Harrts. (ltrectnr ot the Student t'enter, hlamed m the center would he leased nut tnr an}. thmp.‘~ the ‘
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Mtttl “I re 5 the dOItClt on a drop mt K S enrollment Ilt‘ sald the students “am such as ;] tlr5\ ('lt'émt't‘s ur :t (and ~ hup ~
. _,.. 't‘t'l'l trxltgattltn the sun nu: .tt ‘l‘~""' tn prw .tte \\ nrktng tor the students needs 51”,“,8550 meant less money “as coming 1n tram the She New} students “ I“ ”155.” he “15.55.55.“ 5.“ ,5“ then ~ 2
l ‘1 ""“ "“ l'“ “l 2" ‘l‘ ”"““”"l M" “w" “”l "W“ I‘M ”‘9'. the summer “‘1'”! members ”I 1h" mmmtttee students" aetmt} tee “As enrollment deelmett, ttteume teeltngs almut extstmg serx tt’t's such as tle set’\ was ‘_ -
“" ‘1‘” ”M ‘l"l""" 1' “”4"” "M H ”H "'1' \“ml‘m'” Hm”! unn‘erstttes that have emumen-tallied "‘1“de rematned fixed \A'hllot the eost 0t husmess enntutued to and the lymkstnre and then uhuunns on ha\ tug Uptttlth
. - .- . sltltlt'lll m an rv-a w \nnxw \m eenters. stud Lynne Hunt, .\.\H prestdent and a go up t he 55am other than thnse .natlahle
t-nttttttt't‘t'mlt/Jlttltt m. a \\.t\ ul mung the tumnetal unes mmmtttee member The centers mvesttgated were at Hunt agreed. saving that because ”f the deelme m the 5% far the 55515555555555.55555,“ P5555 ”H hrm “5mg“ 5
. t H t .1 t \ the t mm w. m .m pan “Mr” xt-at \ In tthm State l'tmersrt} . the t'nn-omn oft tnemnatt and enrollment and the ztddtltnn of the annex. ”5”,.“ “5555 concerning enmmert'talt/at‘nn
tuxnw the student \rtn :tzt‘s Huat «t appmntt-tt a the l’nnerstty of mutht arnlmzt and she smd that all mreed tn run the old and neu hutldmgs on the same “I don t hzne .'m npmmn on u 'Harrts suttl ‘ llte
-'wtw" mntmtttet- tn «tutlt t nnnnerwahxat.nn and three were "prnfttahle .'md ex'peru-nemg teuer ”mm“ as he “as running one -~ Student t‘ettter 5‘ tor students 5555155 5‘ hat the\ 5‘ ant
make a l't‘t‘t)llllllt‘lltldtlt)“ tn .s.\H and M. \ pruhlems than mtght be expected r\t Ntutht .trnltna However. Harrts satd the Itnanmal "NS has ntm mm --
‘ there 1s a mall located In the student center 5 5 , 5 t r 5 0n 5 5 n 5 5] 555555555 5555 5
l""“2‘”»‘" ”l“ “WNW” “I ”l“ ”WW”! “”7"“ “ I” ”W” sump bellowcommermah/atmn ean h we posttne p‘hx (d and theten e L g xx h ant “ g “I\I\ enneern ts \\ hat (l0 5\nu students want \\ hat dn 2
Nu m e tts nt tht llltlt nts lllt mvnnnttm \\ ~l| mntluet 2 l ‘ I me “next four or five tears Thls was ueenmpltshed h} vnu unnt the student (‘enter te he" \ shopping mall Mr
2 .. * \ ‘ ' . ‘ I «I _ . _ . , . -. ' . . ~ -‘ -
. 55'5 m urn \ at ’utlt nt It“ It tc rnum 'h: u '01 hugs nn (“H ‘5 for thetenter and th‘ \mm nts “h“ [N tt lluttt ”“TOaNng full~t|me students aCllVllV fees. Chitrgmfl studentsW'
U ‘s ‘ st ' .s t ‘ ‘ ‘ ‘ . ‘ , .. ‘ t . . _ . , _ ‘., - 5 5
\ $5555 555 5555555 5555 Tm 5 P5555555 55555555555555555 5555555555555“ 555 said ( nmtnert taltmttnn unuld sttlu st utal prnhlems partrttme studean an actn'tty fee for the first ttmt‘. and
m t \l 1- )t‘tstdent nl stttt ‘ ‘ mlwll‘m} {manual tn eutttng hack on staff and hours of Operuttnn. “hlt‘h JiWk Blantnn. ‘ "'9 I‘hil'lt‘t‘ll‘“ tnr 4"““”"“‘“”"’n- 53'd
5 ' ‘ ‘ I 2 2 .tnhn Menkhaus another (‘nmmtttf‘t‘ mPi’nh‘T. agreed mt’luded Clnsmg altogether on Sundays that he “Ill he Interested m st‘t‘ttlg what the (-nmmtttee
”w m, \m .5‘1115_,1l5\mm_n,\ mnwrm atmut W. saytnfl. II 90mm?” tdlllatmn (5ar. he Imp emented tn Hunt sand that whtlethe budget cm“ IS resolved for funds Hnuever. he sand there are someservnees. such
\tutlent t ‘rntt-r lllt lutlmg htm ””0“ u ls med \l hat the pt 09” ( nntext and m “ (nnt 1“ I“ (m ” mum n - no“ 5 22m two years we‘re back m the same boat " She as addlttnnal tood sen tees. Vt hteh could not he hrnught
aw w 0's .m- used and thetr ettn‘tene) tn atldmnn tn then “9 can reap some n wards alsu satd the lost hours on Sunday lessen student access ”I
‘5 mtm'mg upmmm un rnmmeremhmtmn He said that If commermaltmtmn were suceessful. the to the eenter Rec ('()MMER('|AI IZAIION Page 6
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.5 \

 . 1 ’ l , l '
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.5 ' -. 2 KENTUCKYKERNEL WM» 80pm 17, 19“
. . . ~ “W *—"——“——m—’—
‘I‘ I ~.. .' Arts Editor
7 - .‘ . “Miller
‘_ » k. 1": Assistant Arts Editor
‘ i ' I i ‘ is“ \ \wi KW ’.t‘“~*i:’t\a~ H
- 1 - I "5 . -. ‘I‘ ' . . if]: iii” 2:31”fismmyfimhmgfimfsflfi .- 3
M If f ‘ ° ’ ° '
- aceted Darin ventures s a y t 011 istena e
‘:'\:""‘I'\ u l k ’ ,
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k b d' t L l M ' ° ' ' ° '
in ects sou into 1 -tec azz usmn
‘7 ey 031' 18 y e ays J .
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.357} 3:327 ‘1 I lilk Kl H I“ “—__——"' ready dead 'Don't send flowers to re- group wasn't called the “Methany
,‘71‘i.§".-}~;_ i ‘f t or member. send thorns instead“) and and Mays Group."
‘t.’-“'c}"}.{i"».‘,‘ MUSIC REVIEWS place Thompson in the precarious It was inevitable that sooner or
“(Iii-"5‘5"; F-‘.. 3’7' ”k WH‘HWI‘P‘ “Khalil Thi‘llll)‘ _ position of the bachelor who is find later Mays would produce a solo
‘i'i .I'“Tf:;".5-‘4' . an" ltix-orils ing it hard to cope with the present album After listening to the 'ilbiim,
iii-'51}. structures and runs through rocka» when repercussions of the past are simply titled I.\'It‘ Mays. the listener
I77i‘Qi:.e.1 ’ “MW” [“0" ilt‘t'idfi {it billy. orientalism. pseudo-psychede- still prevalent i"lt‘s been so long can hear how much of an influence .
I.‘:It‘}.’”. \‘I'; '-'*~ ‘WT‘IUV i‘itllmhulli'“ I“ ha and brooding folk This is a it‘s hard to find the right place ’Was Mays has had on Pat Methany As a '
.2‘iIi’iliigli.7 t; .s. .:~ the lorm of vinyl melting potofstyles andgenres it you who called for Burke and matter of fact. you might wonder . '
,'.\'.:'§'..";il_." . ' i ‘ :tuuntbiit‘» 33w} bt‘ lht‘ ””1 l72i en though Thompson has llare to come in on the case (ii‘ave- why Moth-any hasn‘t been playing in , , .
335,473.“. of? ~ » ' L' rumiblu‘ guitar earned the burdenous weight of robbing is a sin and this is a crying the “Lyle Mays Group" instead. of , ~ ’
"..‘-.~.‘7iI7;';r:* . ' WIN ‘1‘ 70$ being .i highbrow lyricist. he isn't disgrace."i You‘ve got to hand it to Viceyersa a .
3‘ $3.1 I” 7 ii“ 'Ik' llt‘ul‘i) “181111011 m‘d afraid to embrace stock cliches that the guy. though. he picks a meta- Mays. one of 'he few keleiai‘dists 7»‘ 57%;“; ‘
”Sight . 37” JUN”) that “1"!“le make ioi some good rock 'n' roll phorand sticks withit in jazz who can use a synthesizer . s,
{if‘ff'iik‘gv - ' I YHH' 31‘- i‘i‘illllli‘ll “limit when set beside a highvtempo gui» "Al Bowlly's in Heaven" finds a without adding a commercial sound .1 V y ‘ I .,
‘r‘~;—Hl » ~. .. \Y‘i.1!"‘$ Zeioii s knack tor Liv ‘\ :iIt‘l'lt‘ you give me heart niche perfectly in the company of an to his muszc. is truly one of the most ' ' :'7».%f:."._3}-.,[f}: ' _ .. _ --
Elli-1553.4 '2‘ '- «i ’1: ~i»"-"t‘-‘llnls‘ imasw Mid ”‘- attark \.ilerie » you put me on the acoustic gUitar to provide a semi. versatile musicians. stylewtse. in :fi—ffl‘H .
.Li'1':V.’V4 2:31;. 7.;.1'ilLlLlIlL‘.le\\V\lllpath_\ rack \iiu say that I‘m history. you mental war~torn ballad that ends the jazz scene "Highland Aire “ a ' 33a...”
‘_.7_~,,f»_?.":¥,3;{‘2‘;:_‘= ‘73 \7 t“ Iii‘“ YOU IN Mt’ 1‘0“ it ‘ say i in no good Then you want to with. “I can see me now. back there piece that demonstrates 3 good ,1 .‘IJ W" ‘
‘ifi;~l;‘iv’.I-",i'.:".v.~' - -":"-i‘3"~3\' [WIN 0’ WINK“ be tiio babes in the wood That‘s on the dancefloor With a blond on spectrum of \lays‘ \'t‘l‘S'l'."lI\ is a ' 2 ”watt”.
‘:~,"~f"‘:y~_73-$"‘3’3§ ‘ h T (““0"- > "Empty llanded what I call playing to the gal me arm. redhead to spare/Spit on good example _ g.
nifty} [435‘ ., 'ii.ii tir'iiotls‘ "Eyeii noii iery l in ii an wait waiting for \"ale- my shoes- and shine in me hairlAnd The melody F partially carried by It." ..7
.i‘ [1.“77‘3’2': ‘1'; . Z 'it‘\t‘I xi) 1. l.“ t‘ :0 ltltt‘. llldi l‘lt‘ lilt’l‘t‘ s AI BOW”). up on the Slalld- a SVHIh St‘l'ln ”I'll has begging his . ' I . ,7" . -._... i _. 7
"II-"iififhfifa - "Vs-3‘ I‘m-"L NW 5“” II WU "Long Dead Love" seems to pos» That was a voice and that was a trademark ‘ Eh”; underneath he . ., ‘ k n .. «new Witt?" F‘“ ‘ ’ ,~- ‘ .
”rat's ’ ' "W1 l‘UIIillfl [W‘h then “Ill \ess a restless inability to cope with band A] Bowlly's in Heaven and (:m lemen's on the. “ 4““: This 7 .. “mar." ”17‘ .. 71W“- .. .. , ,aM
3’57? 593:}? - "u ' i" Ym‘ it‘- 'ht‘ “WIN \ emotions that surface after I'm in limbo now." c p} . ‘. “ . ‘ . p“: . W~M~ ‘ . - ' »
_i .i'. liz-Evfi-i , V . V V . V -. W , V combination pi odtii es the colors and . “-4... fl it twice , . .
y ; . 1.7.1,. .v. relationships have been dissolitd Some of the cuts here. such as textures that ori 1mm- g'l‘f‘i‘d him s.
‘11.? '~ ’I71-7"73-7't“- Thllmpem »‘ lts iiitterness is unsettling in the "Lovers Lane” and “How Will I " “MEI“,IIIM'yIEméin". I H H , H
'LE-Viféei-II-i't'i- " “‘7" JII'UA'" \mk‘t‘ (IHSUIVHR \iake iii Thoiiipsons recent split Ever Be Simply Again," seem to pop ‘» LYLE MAYS
I” » tail and marital pai‘tnermllt iiith hiswiicand cohort grovel in folk mannerisms. Such a Mays trauls ti‘ifni this ”32!!
,"‘,' " i 'iid Thitmpsi’” “ff?” d i“ The lyrics are harsh ”How much setback can probably be blamed on strung effort to the rpm Alaslgiri -.-._.-_._
_.‘7;‘_.é;.;;;'i;".:".7,'53‘. .a 7143??“ EUle- mdlldilii“ dirt iiiusi you shovel on what s al- producer Michell Froom. who has a Suue.” in which Mays paints vivid
-f‘t mt begins with mainstream chord habit of instilling in an album too pictures rif the Alaskan coiivi’t‘i‘yside The JOhnsonS to play
ii. 7.?- much of a yood thin . as he did with The iece is subdivided mm 1.. rec to
’Jj‘jrv' 3 Elvis (”oftello’s égoodbye Cruel (use: From the frenzied {F‘ltgPS of .
a“? World “Northern Lights" to the loneliness f l ht t
,1), No matter 'l‘here's enough varia- of "lnvmration" to the tree spirited ree unc lme concer
t’i’ tion here ‘Dld I mention the violin'.’i feeling of "Ascent," the listener
~'&’ and enough danceability did 1 men- can‘t help but feel ihflerevit sides of staff reports which occaswnally expands its
j’i",':f,:..3?."'if ' ., . tion Chuck Berry s omnisCient pres- Mays'creativctelen' membership to include a flute. a
-IE 1' .. W}; ence"i to keep listeners interested . , c... L _ m, I The .Johnsons will perform an violin. a trumpet or oil drum per»
“Haj, R. . '.. ‘ ¥ .‘ - throughthe shaky tracks Even If m'jlfipr" xiii": ‘I‘I : " I hour long free lunchtime concert cussionist.
-.’{’-;{§;£_j~'-H ' \\ k,’ '7- my doesnt lute?" ”‘1‘ "‘1‘" :V' ' I ‘ I 7" I t'v‘liii on the Student Center They have released three (as
-."7"I‘.v"-"».L."lfr ‘ a ‘3. “1” RF\\'”\“ winner Beand C m 5“" “"5“" I“.\\“ sponsored by the Student sette tapes of their songs. The
141.! ' . ‘ ‘ ~ g) t b It I, “(."rm'_ technology lies the soul of a '13!“ 5.7"" ...W Board ' Johnsons Lap of Luwr‘ and
tyik r , “ on n U 1 IE I "main"?! pianist. ' Mtge "=2 I"; This concert is one of the Broken Spaceship. A single 45 of
~li".’ -’ u . a " I 7 77 'o . or 7.x. - i h '. . , . u -. ._ ..
1"}; . 4 '_ .b Lyle Mays L519 Mays 'Geffen Re» 1151:: \yggg’na\a‘h‘ij‘gmvu;:9ng 9:”: :iidnectedwith this weeks theirusongs.‘ Poor Man's [ayes
g, j‘ . cords , - . - ‘ . . _. . . \iareness Week. a cele- and Landfill Blues will be re-
"=./‘»:‘7,“.‘J‘ej"¥i7~.-”;1". 3. We“? Clea“) thrusts ”33S ahm“ bration of the student program- leased soon by Lexmgton's
.5 Every once in a while a musician “10,5! 0f the other (”“0“ kv-IM‘Wd ming organization's activities SPLAT Records. Ltd:
“if"; V’ comes .along who. while playing in iststoday. Lunchtime concerts on the Stu- The band plays original songs
at"; ‘ *- the backup group of another army Beginning With a plea-sect. "wic- Eh. ““(‘PNOF Lawn were a Itradi- and a range of covers from the
I\’ \ attracts as much of a following as ate pace and then "I‘.""‘»‘.Tl2 m ‘7ch ans» izisi spring, with such diverse \‘elvetuLndergrounds 'I'Femme
3-3.: 9 . the headliner Lyle Mays is one of cute quick phrases and rift», \‘jlf‘s‘ grunt“ and 1“.” Small BMW?“ M ratale to bershwins "Summer
that ‘ ‘5. those arms” again i,‘!‘t'1~t!i?:~' a \l‘."" pit'itrt' 1.): :5”! 37‘1"” jht‘JOhllSOtlS Perffirmlng (”n"- .
.. .i,:i.tf-‘__;;7I=g7.' if Mays has been playing keyboards ors and tei-ztures teeming “.14., 9mg l l'i‘r . iilinsiins ate a three-piece in the event of rain. the concert
{317:5 5:15.271. for the Pat Methany Group for over tion It you tould trr'tflint- ., k:-: ”.5. I his“; 'il guitar, bass and drums willbecancelled
:;.'::{,.‘£i"€: ‘ a decade. and after the group‘s first photo on the album .mwr iixiield I- w »» ~ -- -
3" » 7 f6“ albums hi‘ had earned as much sound like. ituctur‘, probably be i‘vs ._..-.- u
Iii-.7 11:55:"?- 5 popularity as Methany himself rn .
flit"; When lam speak of ThcxPat) Metha: This alhuni ghIileIir’.’L l: 'h'- GOOD ‘ \“ KEVT] (1“
I; ..s ny (iroup. it isn 1 long before Mays s of the best de.i . s, i. 71 ,. ... READING" \\ KFRVFI
a" ".',- ’1": ~ . ,. .. . . . - - u. name enters the conversation, and year. Without A doubt. this is ;i virus! u i i .
it,‘ R“ H ARI) THOMPSON h [)ARI\(' AI“ [NTl RES at times one might question why this for any modern ja7z fan , _ .__V_.,_
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