xt7dnc5sbg8b https://exploreuk.uky.edu/dips/xt7dnc5sbg8b/data/mets.xml The Kentucky Kernel Kentucky -- Lexington The Kentucky Kernel 1985-08-27 Earlier Titles: Idea of University of Kentucky, The State College Cadet newspapers  English   Contact the Special Collections Research Center for information regarding rights and use of this collection. The Kentucky Kernel  The Kentucky Kernel, August 27, 1985 text The Kentucky Kernel, August 27, 1985 1985 1985-08-27 2020 true xt7dnc5sbg8b section xt7dnc5sbg8b __—_——————-—- l
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2 - KENTUCKY KEflEiZMy, 4W2}; 1“
Oory'lom
Arts Editor
LynC-rilll-
Assistant Art: Editor
T l bl ff t] t f I l 'deo makers
' Bi Janusasmu. ottheiaciiitiosmuieedittng room Ifsome EPOUIPIISI wouldfreque‘t 8i; “sebym‘demwnfixmglm
' ‘ S ffw t , , , . me ever ursda or a ear' .
. I senior ta n er After this basic instruction, the they werezllowed,”lel’cBrides)aid. The list also offers a particular
I students are qualified to check out ' note to students: “We are not in the
. I' , ~ ~‘ I the equipment and use it overnight But the diurch trograms are not business of providing loaner equip-
.- . If Slum?“ ”Wk "39-" ha‘eIm “Op or on weekends And after filming a the only viewing available through ment for student projects. A student
I ' * b." the (011939 0f “”9 MIL” ‘0 g0 skit or event. the new production Public Access. ’I'hehigh school team who produces a videotape for Public
‘ ~ ‘ will” “I1”: their ”1;“; She) \TeIIbc-en crew may use Telecable's editing fa- of Jim Carden and Mike Birenbaum Access may purchase a dub of that
' '» > mlbsmildthame‘o redklmo mines to piece together and dub has produced a number of comic tape to use ina project. Similarly,a
' ' . - . over both the audio and video of sketches for Channel 6. and McBride student may request that we air a
. . * But they're not alone So far. in their masterpiece said the pair are continuing to piece project tape on the Public Access
‘ ' ‘ ' fact. only local churches and a hand together projects using the editing Channel.“
" ' " ., - M or high ““001 Students hate dis John McBride. Public Access equipment.
CO¥9FedPUbllCAW95> coordinator. is one of three Telecav McBride emphasized this point,
" , - I . ble employees who alternate in “Some of the things they're work- saying. “The intent must be to pro-
I , . , teaching the first two recording — . ' , _ gram Channel 6 and not to work on
. , , Th . s . f, ing on right now are long term pro _ I
. ‘ . C ' Teieéb‘ieogtitdnietingtono iiiifaéil “mm” “9 "0“.“ "‘3‘ man-V 0‘ I 190‘55'MCBrlde sa‘d- mdependem things SIUdems one"
‘ . - ,f . I- , loans Ui ment ‘I I well I th I the people who sign up for the get the “Tong idea about the pro-
I . .. I 1 ,' f . 6;ng ' {’3 fl 3" Ie “be classes do not realize the amount of gram. and some have even used the
I _ . . 0 an I1 room, 0 Im one or two “me necessary to put together 3 But no such production team has ui ment for roductions which
- hours of Video u Th onli " t 'h —-———-—— —-—— eq p p
. I .I . I _ that he IipIe e . bi‘d L production ' " appeared on the UK campus. Per- they planned to sell, That‘s not fair
Ii.II I ,. -I . I. , . :5 d (1 fl I 9”“ “(11pr mug: ‘h'm- haps this is due to the fact that Pub- tootherusergroups "
. II . n:rIiIIe or airing on e Phi c ( .in "it takes II lot of cooperative 9f. s' “C Access users may not produce
‘ H _ 'I‘ . ‘ ‘, I _ ‘ for profit, but only for experience. .. I . . .
. - ' . “ink ”3,29% 3(3)")? dwii $311;de In fact. Telecable issues a list of “mum ""39“? requires users
. 3' I, I . - There is no charge for the loan. al» wor ' ‘ ‘ n e ”II I OI 0 peo- “Guidelines and Regulations" that to 51g" l e quuIipmc nt out and take
. . '- . ' , though users do sign out the comp p18 who take the workshops do not 1 "“"“‘ “MW" ‘ are fairly strict Generally howev- full responsibility for n' An adult
-' 'f' .' " ~' ‘ . ment in case of damage The onlx actually produce anything for Chan er these are desi ed to‘ revent must Sign 0”! the equ1pment if it '5
I - , . .' other requirement Telecable has I; nelt’s " lic Access channel has been used said "We try to accept any kind of ' , fom mono g?- i a: time tobeused byaminor
,3 ' ' -. , f , . , _‘ f primarily by church groups is that footage and convert it to VldeOli: )4: users r. pom-"g -
. , , I, . that potential users of the l ublic Ac» \1 B d1 .. d hat h f . . . . . .. l and abustng or damaging the equtp- .
. i .. "t' d ,1, h h - C n t ‘d' l m l 9 our those orgamzations commit them- for Viewing. Persons interested in signing up
, ' , t , ‘8“ equipment ‘1 ‘9“ L 3”” “ “ years Telecable has offered the Pub selves by r uesting air time for ment. f the P bl‘ ,
I ' : .' teach the correct methods of operate he Access program as many as _ - 99 I d ha or u '0 Access workshops
' ' ~’ ,' . , ing the camera and accessories ., ‘ ” ' , I ' the” productions. He ad ed t t Telecable asks that public access Any rogramming which contains may reserve a place by calling Tele~
_ (m to 3000 people hate taken the many of these rou ~ have ur- . . - p .
- ’ ' ’ , '. . I , , ‘ - , g 9° 9 users submit requests for \‘lPWIDgOH commercial endorsements. romo- cable at 268-1212. Monday through
- V‘OFKShUP5 Bl" only about halt 0f chased their ovm ui ment to film w p . ‘ -
, ,; ' - ‘ " There are Wm ”minute those people have checked out the he’ . eqdp t th d (hannel 6 at least three weeks be- tions. testimonials or advertise- Friday from 9 am. ‘0 3 pm. Only
-‘ . - - w sh! - h t ~m~ r «t it . , t ” ””grammmg. “e 0 e .‘i' foreairing. ments of any kind will not be aired. about eight students at a time may
, ~ , . 0rk. (9* l 3 L 9 a..embI and eqiiipment for use. and only half of mand for the Public Access facm ‘ . . . . . attend the worksho . .0 't -. d
' ' ~ .. , . operation of the camera For those that number actually got a produc “m I I l‘undraismg ‘5 prohibited for b0"! I. psIs ‘ ‘3,“ ”5'
-~ » . , ' _ who are interested. [here ,, ammu- mnuntmm. ' “ McBride said this regulation was non-profit groups and political can— able '0 “S" ”P a f9“ “99‘“ m 3d-
'I I I ' ' .. 59mm 0f about an hour “pm-h ex- ‘ "People are more comfortable essentially to ensure that no one didates Furthermore. the entire yance, There 15 “0 charge for the
. , ' plains and demonstrates operation McBride said the reason the Pub- with their own equipment.“ McBride group monopolizes (‘hannel 6 Public Access program is limited to 0135505-
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A ’ \ .

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W_____.___.. ____.___________.____________________________________

. =’ . . 4 . £51332 .

By LYN (‘ARLlSlIiE ‘ , g ‘ g g . x “ :‘i' ’Iv' ' er 's rejection Cast aSide by “nor And her secondhand skin has a ' ' I :
AsSistant Arts Editor . III 3 , ‘. 0 A ’. . . ‘ t mal" people. they seem to find a perierlcomplexion I ' 'V l . I
» '.9 .I \ , ° ” REVIEW sincere happiness in their mls-Slled .,' . '.

The first scene in “The Bride" ls / \. . ‘ . pairing Dwelling on small thi s will ruin ,V -‘
horrifying. .. is I the fairy tale “Bride. because it s a ' . . -

Not that Baron Frankalstem cre- . - — it is quick-thinking Rinaldo who tale of relationships and controlling , I 'r' . '
ating a woman from cadavers b ‘ i‘ , . ‘ :. teaches the slow Viktor how to sur- love. not science-nin-amok j. ~ Ii .4" ‘
scary. What's frightening is realiz- .; ‘ ' \G . pendent woman and then desmng to Vive He also advises that one must 1! A. - -- 2' . .; -‘

, . , : . . . .. “ s . , . I, .' V D » V
”18 that the same thins “'85 in Int ,, I k, ' control her follow the dream in his heart. a sen Bride 183150 4 “109 break from Ii-I . . . r '
night‘s midnight movie —for free. .- ‘ - ‘ ' ‘ With V\ ide brown eyes and ever timental message which comes in the trendy sT’“—'lt"’-"’!§ keel" em 0” -, ' , , _'., 'V V

. . t w l '. ._ . . .. .. no.

Itsagood time l08088t POPCOI'h. , ' i r V . - ported full lips. Jennifer Beals of handy later d rollerlndr°m9 [l -‘ - V' , , 1".” 1.. ,- V

However. the ancient horror flick ,I. ‘ t . “Flashdance” sweatshirt fame, a movie that lets you sit back lei . _I-I I-.
mood changes to fairy tale. combin- .. o plays Eva. Frankenstein‘s second No old hands of the stage play surely rather than on the edge 0’ . _.V‘ 5- II- :I
mg “The Bride of Frankenstein," ; ‘ “monster “ L'nfortunately. Sting's smaller roles Seven-time Oscar .VUUFI seat lt 5 h0t a Chtt'hahl‘lf‘r ll 'ij '_'. {(3 'J,’ ,i'I
“Beauty and the Beast" and ”-Pyg i» ' character is determined to build a nominee Geraldine Page 15 “'9'” gross more than Ja‘” and it: .‘- ‘ ,‘.' ‘-
malion“ with the good looks d Jen- “fortress around her heart." mistak- Frankenstein 5 brOOdth housekeep- ll 3 doubtful that Mattel “'1“ make _,".,V ', ' .‘V.’
nifer Beals and Sting, the romantic . enly certain that she will be unable er. while Briton Anthony Wiggins is any P‘rankenstt‘m dolls In time W -. .4; ."-’."-'.-t".'v,‘
hillsides of France and the omnipo- tolove his be“ friend Lhmlm‘“ ’; .'
tent theme °t800d vs.evil. ‘ The lesser known "stars” of this 11-. t _ l t (I .' f‘. ”1;. . .I

Sound simple? 2 film — Clancy Brown ”The Adven- As Wth most movws of this genre. nt ISVIJUSV 5:“pVeV‘I or? ‘mhm pour». . 3,15%; I.

That‘s really SUSt scum on ill ‘ tures of Buckaroo Banzai "i and there are several little things which I CC aSb'CC 8”“ e " ‘I-fi f 'I\'.‘

‘ II o ' r i -- i ‘ ' ' V. ’. .' ' ‘
moat. Down deep is where Bride" ' ' :w" a.‘ . DaVid Rappaport ”lime Bandits i dont add up l-or example the I . ll _ . l . t :‘ifLIn'ir' ,
beam“ thought'pmvomg' "m "n' Stl one“ hit loci i d I i "Th arid. ,. ' — shine Just as brilliantly as Beats child-like Eva can't talk. but she‘s ”a” 5"“ '33 “0““ h“ H“ . 1';
like the book. Contrary to Hollywood ng on or s are croo or an croo or. n o . and Sting Respecmmy they pop potty-trained proud ._.,I.I .‘gl’i , I.
movies Mary Shelley’s original couple of pieced-together people are seem