xt7fxp6v197v https://exploreuk.uky.edu/dips/xt7fxp6v197v/data/mets.xml The Kentucky Kernel Kentucky -- Lexington The Kentucky Kernel 1985-06-13 Earlier Titles: Idea of University of Kentucky, The State College Cadet newspapers  English   Contact the Special Collections Research Center for information regarding rights and use of this collection. The Kentucky Kernel  The Kentucky Kernel, June 13, 1985 text The Kentucky Kernel, June 13, 1985 1985 1985-06-13 2020 true xt7fxp6v197v section xt7fxp6v197v W
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. . . 5 W Ea III M1894 _ ~ - 33‘ Wt sine-1971 Jun. '3. ‘985
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» ‘ ‘ '3 ' ° ’ ontract loss uest oned
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Marion verdict ,_ . 1
n ~~ S in May». BOT committee 3 . . Legislators call
| 1 .3 ’ ; cw _ -;~l:'::;i'~}.‘1 "f; - ° ' ‘3 6‘1 .
\ 3 to investigate , for panel ruling,
2.1.,” L"; 1 " . 1. We” ' ' ' €81“.

N 1 3 , ,1 _..-1 3‘ pOSSible failings a» r delay of transfer
' ~ i a 1, 1- WW 3» By “‘53 CROUCH a ' ‘5 , By “‘5’.‘ CROUCH
3 ”3%in rww W, ~~w~ur+mwee§rhr ,. Staff Writer 4‘ .1 , . Staff Writer .
§ " e, Yogwiwgm: .1, 1171;313:33333‘1333‘ 13W .9 The issue of UK's loss of a if: ’31- Four of Fayette County‘s
‘ _ _‘ ’ 3 I, 33:3; $1: $4.3 million coal research '1}- . ' 3 j legislators believe the tram- '
535;: e 1 wt 911 ' e sienna”! Vere-tr; es 'are-roe'Qm $91M“: muact to "E University Of ‘ é «0:51;? fer a a “'3 million CM] re-
Egg, _ 1 . 1 Em 1.;111,,1,1.,1.1;,,,11,1,33f ‘ [Alisville is closed, Preei- "' were; search contract from UK to
.1 3 1. " ’ i1 ., dentOtis A. Singletarysays. the University at Louisville
“we-".1 ,. .3” .. s .1wwwe-3 . Mes w t» .. 4* , A 1 W431”. . 1,9914 . .

'1 M33113 ”:“~ But he has proposed ‘and was like “throwmg the baby

. “11,13,133, :11 :e.e~,,:e3erf§;§§”;' ” fleas? gotten an ad hoc committee out wrththebath water."

. see,,1‘.11~,ee.,@» i '. . - '1 1' -. 1. rrv ‘0 “”3583“E Whether Uni- - ' - ' And "18.10th statement is-
13,31,333 .. i. . .1 ‘ ' . N ‘ , ' ed versity shortcomings may 0"5 A.Slngletary sued at a press conference
sew‘iag’e: “a it! ' have prompted state Energy 3 3 Monday the representatives
,1 ' ..1 ' ' 3 m3? ' Secretary George Evans' de- sponse and DOSltlon 9'} the served notice “that we want

”mshmm , cision. decision. which admlmstra- that baby back, and we pre-
1 {#3ng 1; ' a _ 3 1 Singletary made his prOpG tors first learned about in a pared to do whatever it takes
”NWthmwmmlbo 1 sal at a speciallycalled letter from Evans delivered 1..toget it back.“
mum!” , ' meeting of the Board of to James 0. King, vice preSi- Democrats Jim Lemaster
' ”MMMWMtM‘Im Trustee‘s executive commit- dent for administration. on i72nd Districv, Ernesto Scor—
meme-am. tee Friday, a week after the May 29. sone (75th District). Bill Lear
AMM79§Mdmfim,&ermm transfer was officially an- in the letter Evans said he (7901 District) and Republi-
flltyotthenpemammafl'derchargu. nounced. had decided it was not “in can Margaret J, Stewart
. hWWWJMWIM '- - Before spelling out the ad the best interests“ of the (76th District) proposed that
ummm.mhmm¢ ~- hoc committee’s purpose he
_§ mmamgmammmm reviewed the University‘s re- S°°C°M”"'“' ”as” *‘LEG'SL‘WRS‘ P38“
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1. 1:-1~1reg:1ee1 1am? . 1: 014,. 3333 Vicky Neal, a 9-year-old third-grader at Maxwell Elementary, explore: a trash can
.1 - .1 1 Wr ousmg cos s lg er next a
° 1; 1 1,1, -31, .1 .1, e, 1. 1 1.» 1 - 1 - I” ‘
1 .1 . ‘- r Byl-‘RANSIMMS calla affect room and board , 1 ’1
111.1 ,. . We... ,1, , , . ‘- m ratasinthefuture. didn - ' ' 3 1
31-333 '3 3 ‘ g? _' ‘ 3' ' 1 :54 e M. t e
11.1.. .- - . 1, 1 11,31,131” W 1., ~ 33: Although occupancy t «
Aelfl:§1m , g ,3 Once again the cost of living drop in teens. he said there i
, _, M ,1 111,1' g 1 has gone up, at least for stu- wasa shorter waiting list to get 1 _ . g
m 1 . 1 2.1 1'- '1 . _ 11".'*“‘.‘~- dents who plan to live on cam- into UK‘s screaHence halls this
a ~ r‘-*‘°“~‘>“M ‘ W1 W e11 s3 pusthis fall. yearthaninthepast. . ~ ,
3% JWMWW1 3 ' M3: 1 3 "3:135 The Board of 'l‘nstees an “I! occupancy attheUnlvelsi-
A! ;, ,3 _ > pmedaroomandboard rate tyislow.UKwillbeta-cedto
e» “nemumn a WWW met We . ,. . w, 1, _ .
Se; ” _. «meme 31,33,311}, .3113" 9-. ,ng3 flex}. ‘ increase of approiumately 2 per- raise prices or compel students
flwww ,1,“ ,. ‘WWA’, ‘ ‘2; cent for the leases academic to live in the dorms. which UK
3: “(sesame-1W £33”, 1.1,. 1. >1 3W§3ew33wg 7' 1% year at their May'lmeetina. haatheright todo.
y 3mm“. .1 1 1 1. . 1,, 3, .. 1. ,1 _ ,, 1. . ‘33,? “The W“ in ratea mum “bilatimry tacton cat-e
fig 1 ,1, wags-A: e, 3 , - . , , 1 31 . 11 e";>,1_,1,?.:1;:3‘ {13:39 mmflly (m imw hm. m .m “N “m to so a
:1 3 1 3 x». .1, \.~. utility and food out; with the every yaarfaraouanreaaea can
' main raaaon beim a 3-percent 5"“? ,, t”! ”I“
' ‘» salary increaae" said Jack ' _ ,
Blantai. vice chancellor for ad- me" mm- The UK
. . . . . ministration. hon-ha WIN "
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" ,1 1 “4‘“. f ,‘ "'1 , . ~ 1 - - st ~.. 4 ~ ~ iyfi- 1 m” in “alum“ III! “in“
Semmman

 2-KmYKERNEL My,“ 13, nee -
' Gory Home m
D I V E R A'" WW The Kentucky Kernel ' mm“
210 Journalism Build “2-7733-7120-7; a“
- - - ice ue- e
\ .. .. .. mg. University of Ken 213‘ Nbcmmmo Rood
“5W2, (606)257 M 27...“.
Successful Summer Sounds continue tonight 3:7"d§:fi:"‘:'.i:“°d 5'“ m.
. ys g aca cm CloeeoeetortJuno
ic year and weekly dur “ml-My.-
B)‘ LYN CARLISLE : - m ing the summer session.
Staff Writer " ' OI!
’ . Th' d l ta e i ="""”"’

The Summer Sounds ‘85 series features three very dif— . ”a f 'r If 88.5 pos 8 flay 3"" "-
ferent talents: classical guitarist Robert Guthrie, who ' , ' :2 ; .- p at exrngton. , _ eme
began the series on June 6; the world~renowned Fine ' " _ 405“' SubsrCIptio ‘ IAHD memo
Arts Quartet, performing tonight; and newcomer Anne- \ * R ‘- V “a” . rates: $30 per year. 5] can..."
Marie McDermott, who will perform June 20. b \ "u j ‘K per semester mailed. Juno 2!-

The annual series benefits “both the public and the - " fl - 00AM!
students." said Nanci Unger, director of public arts pro- ) ‘ . , ~. .. - Thetfdcntugky Kserriel ; avg.“
gram. The artists conduct “Masterclasses," where they A . ’ xi .. g ; prin Wy CriP4P Y -
listen to and critique student performances, followed by U .- 1 HOW"? Cb .Co.. '3 - LSAT
a public concert, Unger said. ' ‘ t. 3 Louisville A" Par k. forOetobor

h n f t . the . , . l Louisvrlle, KY. 40213 til-m-A can

Unger said Gut rie‘s pe ormance — ea uring 0.0-0 .
music of nine different composers — was “a very suc- '1‘. fl". Arte ”fl" “IN,““MH
cessful recital,“ enjoyed by the estimated 150 audience tion in Moscow and has since enjoyed a successful ca-
members, twice the sizeof last summer's first concert. reer as a solo artist. With a musical degree from near- . ‘

, , by Indiana University, Homer has been principal violist . \‘ ,r “‘1 3 ,

Unger believes the reason for this year's added atten- for the Dallas and pittsburgh Symphonies and m ‘7..\.\\\s,u J g -‘
dance is that the public realizes the quality of the per- withtheVermeer Quartet. .~ & ‘
formances. She expects “almost a full house for Fine - , ‘ e‘ ..

ArtsLhQuartet in the too-seat Recital Hall of the Center While the quartet has a long history of high stan- “M“ .-,' I.
for eArts. dards, the third concert features an up-and-corning , 5g ‘ ' \

Founded in 1946, the quartet has performed success- YOURS musician. Pianist McDerrnott W0" the 1W3 Young
fully throughout the world. including a recent stop in Concert Artists International Auditions attheageof 20.
bexmgton during the 1983434 UniverSity Artist Series. A New York native, McDermott began playing the

The quartet's members — Ralph Evans, first violin; piano at age five. By age 12 she was performing with
Efim Boico, second violin; Jerry Homer, viola; and the National Orchestra] Association at Carnegie Hall
Wolfgang Laufer. cello —— will be presenting selections and, eight years later, her opening performance for the
ranging from Haydn ‘0 Beethoven. Fifth Young Concert Artists Series in Washington

Among many credits Boico and Laufer have both inspired one critic ‘0 call her a “keyboard virtuoso" “turdcy arund' ‘9'"30
played with the Israel Chamber Orchestra. Before join- who “performed a techmcally dazzling combination of SATURDAY NIGHT
ing the quartet in 1983, Boico was a member of the ac- works that left the audience breathless. cum MUSIC
claimed Tel Aviv Quartet and the Orchestre de Paris; . . .
six-year member Laufer holds credits including princi- All performances begin at 8 pm. m the Recital Hall 3 '0 ‘0

of the Center for the Arts. Tickets are $3 for students
pal cello for the Malrno Symphony and member of the and senior citzens when purchased in person at the UK 557 S. Limestone 253—0014
“uhrer String Quartet. Center for the Arts ticket office; 35 for general public
After receiving his doctorate from Yale University. and advance tickets. For more information, call the . ' _ g
. Evans placed in the Tchaikovsky lntemational Competi- ticket office. 257-4929. .. 3.;
o e ’. _. 3
Amy Grant, New Order hit the mainstream m
yum“
' linguarded Amy Grant Low-life New Order ”W‘I-“m.
A&M Records Qwest/Warner Bros. Records Add passwn to “w

Right from the first groove. Unguarded is gutsy, posi- Speakingofpeopleabout to hitthemainstream.. . . your punch With 3 ‘ g 1—3; _

’ tive power pop. When Joy Division‘s Ian Curtis killed himself five Everclear 190 ?

“Find a Way,“ the first single. bounces along on a years ago. alternative music fans mourned the untimely proof grain .

’ catchy synthesizer-driven beat that's already brighten- demise of yet another cherished and critically ac- alcohol 2‘ ,_ .
ing the airwaves on contemporary hit radio formats. claimed-yet-obscure band. Seemed like all the best died ‘ ‘ ;
This is upbeat stuff all the way around. with your basic young. 51‘ _,.,
love lyrics about learning to live with heartbreak. When the remaining band members formed New [mm i, r _- ‘

Unless you‘re a die-hard anti-pop music type. by the Order. their cryptically packaged albums, singles and § ’
time you realize Amy Grant is singing about Jesus EP‘s found an audience eager for their brand of avant- m g A Q. X g:-
Christ. you‘ll be too hooked to throw up your secular de- garde musical excursions and quirky think-piece dance Emmi . . 1:21;;
tense shields, songs. '«e N

Which is exactly the point of Unguarded. Low-life finds the group on a major label at last, with __________ __ __ _______-_-'_______:_

You say you‘ve never heard of Amy Grant? In her their first real shot at some of the public recognition - - -

mid-20:. she's alrieadfy 1;?" three Esrarrti‘::ii)2;‘i;\sward;l and currently enjoyed by bands who copped their styles ['[Iclll' I'S'fll '"f'

a trop y case u 0 ve Awar . t pe usic from early Joy Division records. m pmple whit E .
Association's Grammy counterpart. She's made gold re- It‘s an irony that New Order fans will love. although m ks mm“ c ”mm

cords and played to packed concert halls. But until Un- they may not be too crazy about the way this record my“. Mw‘dm‘ ms_M_L_XL_
guarded. she couldn't get a record on non-religious trades the artistic cutting edge for a commercial hold- Emdeu'hnpleme'TSumforataalofS____
radio. ing pattern that promises to garner some sales while wmaauuummmf? v..r‘

Grant draws on a variety of styles for this album. waiting forthepublictocatch up to New Order‘ssound. M m
"Wise Up" matches Grant's tough-minded advice with Loinfe's expansive. almost vacuous dance rhythms ‘-‘———’———‘——J‘"’ m
an equally gruff backbeat. “Everywhere I 00" is a are the darker side of Tears for Fears. especially “The N“
piece of electric reggae about saving grace. and “The Perfect Kiss“ (the current dance-club single) and ——_———-————-_
Prodigal“ is a fragile ballad about long-suffering love. “Love Vigilantes." m

And as if that weren't enough, the album is available The second side stretches out into some spacier melo-
with four different cover poses. none of which look even dies, with a few more ironies tossed in for good mea- ma.._______u______
vaguely religious. Grant is no evangelist on this album. sure. “Subculture.“ for example, sounds exactly like
justa bearerofgood will. OMD (Orchestral Manoeuvres in the Dark. for you pu- “w

The real beauty of Unguarded is that you can take rists). The mock-evil vocal style suggests theta groimd- mumm'
most of these songs as either contemporary gospel, tra- breaking and much-imitated band like New Order ~‘”‘“"”"'""'°‘"'°“"
ditional love songs or just plain good common some. knows what it‘s doing, commercially speaking. when it ratifimlofimfgw“, "Wye".
Any way you take them. they‘re bound to brighten your chooses toape someone else's sound. hunmmu‘emmammom
MUM GARY PIECE I-----------um-------..-.--- I.

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‘ -I T. ‘ e

 KENTUCKYKERNEL My, Jun 13, 1905- 3 ‘
O O O ‘ O , 0
UK production of award-Winning Crimes compel ling but flawed V
The UK theater department is perhaps most admira- Laura A. Finch appears to be trying too hard as Chick
ble in its attempt to offer a diversity of entertainment to 29“: Lenlny‘s . mainhanuisance and the local _rguossip.
the University community. in keeping with this tradi- me —a ongtime c racter actress — is certai y ca- '
tion, UK continues to present offbeat and locally cre- pable of delivering a riotous evening as the trouble-
ated plays as well as the best in classical and contempo- malaiang (llhiCRh but heerje the lhumor seems forced Rath— ’ ,
rarydrama ert na owt ecom ytopay.Finch reinSItin. ,
No play touches as many of these bases as Beth Hen- ‘ I Ralph M. Pate —- another old-timer h plays Babe's
ley‘s Pulitzer Prize-winning “Crimes of the Heart." “ ‘ lawyer, Barnette Lloyd. Pate's return to the UK main
which opened last week under the direction of Joe Fer- ‘v _ stage is a challenging one. and the veteran director
rell. a , ""1 makes a respectable effort. Yet where Finch has gone
The play — which launches the department's 1985 ' -— ’- too far, Pate has not gone far enough, and Barnette is
summer season — was first produced at the Actor's E l; i almost too low-key tobebelievable.
Theater in Louisville, then went on to New York. It was J, 77 ,7 f i! Arguably, the production of “Crimes" might have
produced on Broadway and took. along with its 1981 Pu- ‘3’ ’§\ \ 5; ‘.I fared better in the cozier confines of the Lab Theater.
litzer. the Drama Critics Circle Award. eggs; \ ; g @ instead of fighting to fill up the spacious Guignol In-
The script is rampant with compelling characters and {fig‘g J T 5' deed. at first glance, it seems the sisters‘ tender intima-
believable encounters, and it is easy to see just why the 3352’: U cy and delicate emotions would be more at home in the
play has enjoyed so much success. “Crimes" is the poi- A (*3 smaller environment.
gnant tale of the Magrath sisters' reunion after one of f:{‘:":‘ But the action is tidily framed within Russell Jones'
them shoots her husband but fails to finish him off. Wren“ homey set. and the cast does not have a problem being
r112: llefnley's work is coengistenély realijstic. it is also hieardh [)ebtbie Durham‘s €05:me lare ashdescriptitf'etzs
8C Wl uproarious com y an ense rama W 0 en Mr", C C arac ers 8C IOHSt par ICU ar y in 9 case 0 t3 '
mixed together in the same moment. Rtll.A\l)Ulllll\S Kerneltiraphiu three 55‘9“ 80th costume and 59‘ help (19"an the "hi”
And yet the l'K production. despite strong perfor- acters' contrasting personalities. and the size of the '
mances m some r0195. fails to deliver the script's fun ter,weseearay of hope through the darkening night. (iutgnol does not sitandintihc xiii; . i
potential ‘ .. , . Director Ferre 's proc uction (‘nJ()_\'> u num )er of t‘.\
Lisa Jones is outstanding as Babe. the 24-year-old ()mer has her greatest ‘moments. m the tumultuous cellent moments. ranging from suicidal to t‘t'>t<lt
would-be murderess. Alternately scatterbrained and $9985 “:36" the thrdee 15'519r§thar° $055“th relmim- liven though the play's continuity is burdened h} the
tender. Jones portrays a sensitive young girl desperate .mtfrz :gei‘tzrn . :iéneguggs 13:2; tlrlgulngl‘YldEallf: weaker performances. the audience must >11“ he do
ly trying to deal with the inequities of life. We cannot qu1e fice_ - 3 ‘ , * . . lighted by the compelling humanity of the sisters strug»
help but empathize with Babe and loathe her husband. she maintains when 0" stage “"1 Babe and Meg. gles and the insistent lash of Henley-s wit
'l‘rish Clark is also quite admirable as Meg Magrath. Kevin Hardesty has crafted an amenable old country Agd certainly] Ferrell“: produ(clti(t))n didnot prasume to
bringing waves 0‘ impetuous exuberance 0'15‘359 “"01 boy out of Doc Porter and displays solid concentration out 0 t e 11:13" attan eater bu. ' Bfldu“ [[9 “Eli
her. Meg becomes our champion, “"15me urging the by maintaining the‘integrity of his character‘s rhythm strong pe ormantes Vmatc . t .9" strong, ro 9" I ‘5
others "l the play [9 53"? Babe from prison and gener— whether calm or growing anxious, Yet this same consis— alone make foranenioyable evening 0f drama.
ally looking on the bright Side of life. tency becomes a trying monotony by the second act. .. _ . .. ‘ ,
Sheila 0m” prowdes a sharp contrast ‘0 Jones and and — lacking a sufficiently full expression of his char- C”"“"" Olfh" ”"9" “l“ b" “”10”?“ my?“ ’0 .
Clark as the Withdrawn. frustrated Lenny Magrath. In acter M we can only understand his final actions marrow and Saturday at it p m~ in the (:utgno. lhi-titw
()mer‘s Lenny. perhaps more than in any other charac- through Meg's interpretations 171th? Fine Arts Building Call 25/4592 tor TCSt’rHiths
6 G ' 9 ' .i,\.\ii~:s A. sum.
uerrilla art retrospective slated next week
By ELLEN BL‘Sll Often he combines original artwork with photocopied o .
Reporter photographs or cartoons; some pieces are totally col- S 0 crs Vlllagc .
lage, a la Max Ernst‘s Une Semaine De Bonte. “My art e ,
Anyone familiar with the UK/downt0wn area becomes style has become more immediate. People have told me Wuors .
accustomed to that bane of GTE. the phone pole flyer, ‘(your worki Jumped on me before; well, now it Jumps ,_i
Like impromptu Cubist 0011389? they W” “P. layer even faster.‘ ” SALE mess oooo rm mousse", ions 19. tees pom SALE '
upon layer of photocqiied electric-Kool-Aid-colored im- Widener often must do posters for bands he. knows gust-em; 31:23 72:75: again. 5:325 1 (10:33:52
agery, advertising bands currently playing in local nothing about, but he has a Sixth sense: “Freddie Pow- ammo'fim'umn mm“
clubs. If you've wondered who creates these little pieces ell, the former booking agent (at Cafe LMNOP). tOld
of guerrilla art, you might be interested in the impend- mind once that she ijust couldn’tthgelieve how align i would
ing retrospectiveof theposter artof Bill Widener, Jr. in a poster or a band t I’d never rd in my
Widener, a former editorial cartoonist for the Ken- life and it would fit the band's image and music perfect- Shoppers scnnapps- ' 0
tuclzy Kernel, produces for Lexington's alternative '3‘” A voracious‘alternative muSic fan, he‘enJoys the 3 Great New Flavors
music shows an average of three posters a week, all be- freedom. “ creating “W's for 5‘10" bands mm? 1
yond the pale of the garden-variety flyer. Guitar-play- dont have to appeat'to the lowest common denomma- g -__-=- Q
ing skeletons, screaming expressionist faces. Dr. Seuss tor,theV_VKQchowd. . , . —” m m ‘ , g .
characters, African warriors in futuristic cities and ’l‘beWidener poster retrospectivewdl beondisplay at ”Apple
beautiful deco feminoids are denizens of Widener’s pri- Cafe LMNOP June 17-19 dunng regular bar hours. _ ; m swat-mm m =
vate Madison Avenue menagerie. 7'" _ ”a . 0' lolual ' '9’“ ml
Widener acknowledges that doing poster art for an au- 0 I A ' ’- ~../ . g ‘y,
dience speeding by in can: lus changed his style. “lt's ’ 7" ’ : h .
forced me to drop some of my detail . . . to develop my r: “'1 s N “ ‘ g @l “I” 99 .‘it'ii'v'i
_ sense of design, and I’ve used the posters to experiment ~ a "~ ‘0. h * r a... a»... “A cytolc‘ L,‘l ”"
with collageandforms like that.“ fix / , 5* {i 75°“ ,v
"\ :
7 —— ”,5 ' f’ WINE & LIQUOR FEATURES
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 4-KENTUCKYKHINH Mr. J” 13. use
nu‘nuw . . . . .
Kernel ‘This guy just wants a long-term relationship — [er 5 party
VIEWPOINT @
let-NW rm weenie-n h / ’ 3?] C)
Soc" Word —'(I) ( ’ . B H
Editor-in-Chiel , K3 '
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Cynthia A. Palermo Jam. A, $00" . '1 [0'24“ “5: Q
Managing Editor Editorial Editor t v!\ g ' /
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9 ° ° r : f‘g/ I K
Evans decrsron \ .. \ , ’ /
t5 ‘ r M t" b
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to s l t contract 4. ‘ ,—,— . i.‘ ‘
t'll n ' stifled
S l u J u 1‘. Melee
. Prisoners are not guilty until proven
guilty. Universities should be deserving until Ed °t ’ l . t ll °t , t t to b
proven undeserving l or S l e no a l S cu 0“ e
It is easy to jump to conclusions concern- , , , _ ———————-— 1.3.5 mm _ es iau after a
ing UK‘s loss of a decade-old $4.3 million .15 " “V9 or ‘5 't Mange”? only the p r o, twggon the Pee- 3;“ slowl
. . Big Guy knows for sure. yea 10b y
coal research contract to the Umversrty of But somewhere _ many some_ James A. become the equivalent of replacing
Louisville. The problem is that none of these wheres, in fact __ newspaper editors STOLL a master chef at work. You can al-
conclusions can be proven. are making decilsions thiebNt 'iialfe magi?“ Ptegltsyegt aging? $312519
- ' lines Sooner or ater re wi eorle _ f
At a specially oil-led meals}? 0f theFB-gard conclusive evidence or at least a — umn),and quite 3 few folks don't
0t Trus ees exec.“ we comm! ee. on n ay’ consensus about the body in Brazil, It is my loss, not theirs, as the take kindly to It- Everyone has his
an ad hoc committee was eSt3thhed to de- and then the aforementioned editors many theater instructors whose own style. and If your lighter Is se-
termine 'ust what sort of University defl- will once again meet to decide classes I have missed would surely r1005 about his work you d better be-
] r Y
ciencjes may have been the cause of UK 105. whetherornottotellusabout it. testify. I have occasronally longed lleve hell be serious about your ed-
in the contract After all, nobody wants to produce for a greater communication will ltlbg- .
rgl ‘ - h the next setof Hitler diaries. these learned journalistic folk, but Besides — you can spend an hour
We have no Clear. undersmndmg 0f t e But I digress. This column is not the only journalism class I have editing something, then pass It 9" t0
reasons for the deCISlon, "or do we under' about Nazis, but rather a group of ever had — other than a working the Kernels series 01' copy-editors
stand the process by which that decision was professionals that are often thought practicum — was good old 101 (right :22!- sitl‘llmheagptge \Silllnnsoiuerbfid 1;:
" President Otis A. Sin letar said of of in similar terms: editors. hereatUK). . .
intzijee’Energ Secretary Georgge Egans’ an- I six-alt from experience, limited AndIdropped it. name misspelled. ‘ .
y though it may be. And my experi- In other words, I have gathered ‘Andn If you think the_ displaced

‘ nouncement. ence has shown me a number of edi- what meager journalistic knowledge ‘ Chet 1? going to be miffed about

It was at a May 31 press conference that torial attributes that I had no knowl- and skills I mlw m by wagging hug; wait till Mr- MISSPelled reads
Evans offered what he could in the wa of edged. 0“ high ”"00 e _ 68° P“ Fe“ “'“ngnews‘ .
defining UK'S shortcomings U of L plyesi- For example: if there is one thing tiom. My experience is all practical In short, I cravenerther the glory
d tD l d S - l ' h d worse than waking up late for an ap- with almostnoacademia thrown in. nor the Mmlblhtl Someone else

' en ona waln “gas a soon an ' pointment with a college professor, This has encwraged me to be can back away at the Mengele “9

Evans spoke of displeasure With UK’s cur- it is waking up late for a Kentucky eager but undisciplined. 'l_‘he vol- dates, weeding out the sensational-

rent director, Lyle Sendlein, saying that UK Kernel editorial meeting. One might uni-$81.“? writmcan 935:? seem :Txiag m? the “as f"
‘ - cost rcentage 'nts on a grade. off we or in genre gonzo . .
mayhnot have been placrng enough emphasrs but ml: other“ 9“ . o“ . . “8m. It I, be said that Someone else a3 amide whether
on t e needs of the coal industry. Swain put Mmm mes ”ScD 1mm] of JW_ “1’ y writing has gotten any better, or not to revrew weird Al Yan- .
it another way. He claimed that UK focuses lism know what I’m talking about. only that 1 have come to enjoy doing kovrc s album release instead of the
on basic research, or an effort to “push for- Editors on the Kernel staff are infa- it much more.th “thEm- it up As of next
» ‘ " mous for giving a greater priority to Yet even wi my newfound eager- . _ ._ _ ‘

allaergtg: $2233: gggongilgeea tbjwfrtllamf copy deadlines than class assign- ness, it is the 4% years that I have fall I 80 back into full-time writing

1’ ’ 'h‘ . . u p merits. Indmd, manyof thebest pro- served as feattu'es or editorial edi- proper for the fleet time In 2'2
pied research, it ich Swain said translates jects submitted for grades by these tors that have helped me to deter- years. ‘ .
fundamental knowledge into applications to immm editors will also appear mine just mg 1 want in be in the .For the first time In along time I
the real world.” in yourcampus newspaper. vast, umpecified fields of writing “11”]?er £211: ffreed‘tmi n3:

- This is more than a habit — it has professions. me _ rom chores

The needs of the coal industry, helwevtelr, I Emma” Anythinc but new“. beingan editor, butan even greater
mUSt "ever become more 'mPortant t at! . e As a theater major I have enjoyed Don't get me wrong. I like editors. freedom tron} _my need to pursue
needs of the commonwealth. Research divm- a unique ”hump with the pm 1 just don't mg to be om I believe and occupy editing positions.
ing the best methods of exploiting coal must fessors in the Journalism Building stmngly that anyone interested in .Maybethen 1.“ find time for a few
never become research divining the best virtually none at all. So while taking the New York Times by kindly Chat-S With the local mt
wa to increase the coal industr ’S profits none of these lrstructors have ever storm had better have a few years ism faculty.

y . . y ' had to deal with my not attending editing experience under his prover- .

j Evans finally admitted he could not “point class. they have also been unable to bial belt (not to mention some kind Editorial Editor James A 5'0“ 18
out where they (UK) have failed," even offer me regular criticism and in- of rain-makingdevice_)._ a meat" arts senior and a Kernel
going so far as to say that research has pro- Strum” 3‘“ the “3k °f “hung “he” 9” colum"'8t‘
ceéeded ‘t‘velrytnlcerly. b1 Letters Policy

0 us w a ist e ro em, entl ‘? 7 -
At] ‘ . , p g, ewe" Readers are encouraged to submit letters and Writers must include their names, telephone
1‘ r lday 5 board meeting‘ Singletary opinions totheKentuchy Kernel. numbers and major classificatiom or connection
made several comments concerning a May 6 Persons submitting material should address with UK. If letters and opinions have been sent by
meeting with Evans. During that meeting, their comments to the editorial editor at the Ker- mail, telephone numbers must be included so that
according to Singletary, Evans expressed net. 113 Journalism Building, Lexington, Ky. veriéi'ciatianmge the writer .mtbe :btatiined. No
. . . . . . 40506. ma a publishedwt ven ice on.
gons‘l‘derable dlssatlsfactlon with Sendlein. All material must be typewritten and double— All material published will include the author's
":1 ta gfnélme tdid the talk to me ab0l1t tel” spaced. name unless a clear and present darlger exists to
ma In con rac . To be murdered for publication, letters sharid thewrlter.
- . i. u to 5.;0 words or less. while guest opinions should Editors reserve the right to edit letters {or clar-
beSmgletary has called the Issue ,‘Elosed' bestowordsorless. ity, style and space outsider-utters, as well as
cause Evahs decrsron '5 the calm-at one- Frequent writers maybelimited. eliminate libelous materiel.
But the questions raised by the uncrvrl man-
ner with which Evans has chosen to imple- ,
ment his decision will not be put to bed. It stoma COUNTY by Berle: W
appears as though UK’s resistance was both " e i 1m!
anticipated and circumvented. lanes mum. ”was MAM m, In W Miser/cl
While Evans certainly has the authority to xaafli'mwwn %"’Kw”*£" %mmmr%m {gm-r I.)
make the swrtch, it would be highly com- ‘ measurement. armor-rs“ m ‘0'."
mendable for Singletary to pursue the issue. l g m “a“; ‘ '15:} kg‘ ,_
' If there are unknown reasons for Evans‘ de- ” \ , 1’17). ,' .1
cision, they must be brought to light. a ‘g I I ‘ e e , ,1 £52 £1
Then UK will be able to bid the program i j in . in :_ . ' “is! l
farewell without the lingering suspicion that ' ' ’ I J‘ :5
the University has been condemned without . NM / .1 l _ 9;“. p a
a trial — rha without the occurence of a 0-: ' . s A
crime. pe pa .s mam-am its: ass-2mm“ V t
' l

 KENTUCKYKERNEL My, Jun 13, 1985 -5 , _
Wyn» ‘
GENERAL CINEMA THEATRES E;
"53:51; um “TIMES-EVERYDAY
5 PO R I s ‘S"'""' "'9'" All. snowmos across 62:432-50 _:
ports Editor 333':351-;fi;;::':':i:-.':i:1:1:1:f:1:1:1:3:1:i'E:1:15:3:"7:354:23:113'::3::21:1:7:1111’:35F:-:=$:3:1:L’-‘.’-'1!-‘E:1.’-:':3.571:1:?23:3'::3:1:3:3fi:3:’:1.1123::111‘3;;§j;_:j_§:_jjgfjgfihfif: _ -
“IRELAND “unwary :;-:-:22:;;::‘.;;; ' _
THEGOVEDNMENTCRENEDHIM 3‘: ,
SE AND NOWT r i n
Movin’ u a a E'-
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Five UK players on their way to the majors after draft day .... -mowca [El
By WILLIE HIA'I'I‘ When reminded of the difficulty of ;: sums sums .
Sports Editor . breaking into the majors and the FRIDAY 3? FRIDAY ~
Jack Savage knew he could play jaws" ,. . . and forth between ihe ”131°“ and ~ "
major league baseball when he V; :a’“ at» . ‘. minors, Savage said it didn‘t bother :1" ‘ 255151'L50mwnlkhdgkfi‘m
pitched a shutout against Tennessee , «f ‘ . him because “you read about it 1 E '
his sophomore year at UK. . ' every day." , 43.44%“, SECRET filQ-‘FCT
And all it took to set the dream in .. ‘ “I‘m going to have to take the bad 3 infigfi ADMIRER , ._,_ ,4
motion was the telephone call he re- as with the good. I'm going to give it a ' HE NEVER 40“" . g.
ceivedondraft day. Q P ” hundred percent," the Louisville na- Q i l KNEW 7232:: /,. 3i
The call came for him and four " E ' i : tiv