xt7qjq0stw34_5458 https://exploreuk.uky.edu/dips/xt7qjq0stw34/data/mets.xml https://exploreuk.uky.edu/dips/xt7qjq0stw34/data/1997ms474.dao.xml unknown archival material 1997ms474 English University of Kentucky The physical rights to the materials in this collection are held by the University of Kentucky Special Collections Research Center.  Contact the Special Collections Research Center for information regarding rights and use of this collection. W. Hugh Peal manuscript collection Angelica Kauffman clipping text 43.94 Cubic Feet 86 boxes, 4 oversize boxes, 22 items Poor-Good Peal accession no. 11453. Angelica Kauffman clipping 2017 https://exploreuk.uky.edu/dips/xt7qjq0stw34/data/1997ms474/Box_63/Folder_42/Multipage28806.pdf undated section false xt7qjq0stw34_5458 xt7qjq0stw34  

      
       
       
     

        

KAUFFMANN, Ill . , 1- nqeliea kouf-mmz,
an eminent female a1 tlst, was the danyh e1 01' a
Swiss 1) 11nte1 who hem her earliest years in-
structed he in his art. At eleven years of age
she (lrcw portraits; after wandering in Italy
for several years, she went to London, in 1766,
where she was made one of the original thirt
six membe ‘ of the Royal Academy. A story,
which does not appear to be authentic, relates
that she was, while at the height of her repnm-
tion in England, cheated into a marriage with
an impostor, who represented hims If as Count
Horn, :1 Swedish nobleman. She returned to
Italy in 1782, after her marriage to Zueehi.
Her paintings, characterized by nobleness and
g1aee,a1e somewhat deficieutin drawing There
is 11 larwe allegorical paintingT by her in the
National Gallery, called “ heli'rion attended hy
the (.11‘flCCS.”B.BalG Char, in the Grisons, 171-2, -
D. Dat Rome, 1807.