xt7s7h1dnw90 https://exploreuk.uky.edu/dips/xt7s7h1dnw90/data/mets.xml Root, George F. (George Frederick), 1820-1895 1875 scores (documents for music) M2117.R66 C59 1875 English J. Church Contact the Lucille Little Fine Arts Library for information regarding rights and use of this collection Hymns, English The Choir and Congregation: a Collection of Music on a New Plan: for the Service of Song in the House of the Lord, 1875 text 319, [1] pages, 24 cm. Call Number: M2117.R66 C59 1875 Provenance:  Wilcox, Glenn C The Choir and Congregation: a Collection of Music on a New Plan: for the Service of Song in the House of the Lord, 1875 1875 1875 2023 true xt7s7h1dnw90 section xt7s7h1dnw90  

 

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CHOIR AND GONGREG-ATION:

COLLECTION OF MUSIC.

ONA

NEW PLAN,

FOR THE

SERVICE OF SONG IN THE HOUSE OF THE LORD.

BY

GEO. F. ROOT.

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CINCINNATI:
CPUBLISHED BY JOHN CHURCH & co.

CHICAGO: THE ROOT & SONS MUSIC CO.

(Music Elwcrotyped i. a. a. MEREDITH 5; sons, m Clark Sh. Chlngo.)

Entered, according to Act of Congress, in the year 1875, by JOHN CHURCH 8; C0,, in the Ofﬁce of the Librarian of Congress, at Washington.

 

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EXPLANATORY.

TUNES are “old” because they are good. Thousands of
competitors for public favor,which started in the race with them,
have dropped away, and are forgotten. Those that remain are
rich in memories and associations, and are now well nigh
indispensable to musical worship.

Still, choirs are not willingly conﬁned to their use.
\Vith higher musical culture is naturally the desire to make
use of higher musical powers than the old tunes require; and
this added to the inclination of all to enjoy music for its own
sake, has led extensively to such choir performances as tend
to place the “ old tunes,” and the singing of them, lowest in
the musical services of the church, a rank as unjust to their
merits as it is hurtful to their inﬂuence.

“ Performers” and“ an audience” are certainly not the true
elements of a worshiping assembly. There should be neither
“ lookers on” to see others worship, nor persons to be enter-
tained by what is done. All should receive the instruction,
all should unite in the prayers, all should join in the sing-
ing, and, more important still, there should be union and co—

operation on the part of all, however varied their conditions
and attainments. ‘

So far as the music is concerned, when the trained voices
sing, the people should neither listen as outsiders who have
no part, nor as an audience, to be entertained; and when the
familiar tunes are sung, the trained voices should not lose in—
terest by feeling that their best powers are not called into
action.

But how shall all have something suitable to do, and yet
all co-operate harmoniously toward the truer objects of church
music? This question, it is the object of these further ex-
planations, and of this book, to answer.

There is not a familiar hymn that has not some Scripture
or other words appropriate to it for illustration, introduction
or preparation. There is not a standard tune that may not
receive new interest by an appropriate prelude. Let the
choir sing such words as illustrate, lead to, and prepare for,
the familiar hymn and tune, in music that is suited for that
object rather than for vocal display, and then let “ all the peo-
ple” join in the tune as a chorus or climax, and, it is con-
ﬁdently asserted, the following results will be realized:

Ist. The musical effect not being at its best without the
.voices of the congregation to make the tune a climax; and
the climax not being reached without the illustration and

gipr'eparation by the choir, a need is created—of the choir for
"the people, and of the people for the choir—that forms a basis
for union, good will and mutual co—operation.

2d.i The congregation, seeing just what the words mean
that the choir sing, and why they are sung—watching their
progreSS, and feeling their appropriateness as they prepare for,
and lead to, the final song are much removed from the temp-
tation now so common, to listen to the trained voices for
musical entertainment instead of devotional assistance; and
the choir realizing the higher nature of their work, will be
equally relieved from the temptation (or perhaps necessity)
also common, to sing for the mere entertainment of their
listeners. ' > '

3d. A new and better interest in the Solos, Duets, Quartets
and Anthems of the choir will spring up. Heretofore the
more religious the meetings of a church, the less trained choir

 

 

performances were wanted; the obvious reason being that they
subserved little, if any religious use; but the plan of CHOIR
AND CONGREGATION will lead surely and safely to a union
of musical culture and worship: for who can sing, “ He is
despised and rejected of men,” “ My faith looks up to Thee”
or “ Now is the accepted time,” “'Hear, O sinner, mercy hails
you” or “ They be many that ﬁght against me,” “ My soul, be
on thy guard,” and not feel their appropriateness in the most
religious meetings of the church?

The “tune services” in CHOIR AND CONGREGATION,
although limited by the hymns and tunes upon which they are
founded, have a wide range, and will be found appropriate to
all occasions of public worship, and to almost all the subjects ‘
of sermons in Christian churches. They can be used wher-
ever hymns or anthems would be in order ;—the minister
giving them out. (See Index.)

That the “ services” may not be too long, a majority of the
hymns are abbreviated, generally to three verses; but it is
believed that they are not less pointed and complete for the
omissions. The anthem is sung but once.

The “ Responsive Services,” from p. 250 to p. 270, espe-
cially the shorter ones, are designed to precede one of the
prayers of the general service. The people rise, and minister
and people lead up to the act, which he continues alone, as
their mouthpiece. It is believed that these responses of choir
and congregation will induce a more general feeling of partici-
pation, and bring all. so to speak, nearer to the prayer. Those
especially useful for this purpose, begin with the First Psalm,
page 256.

The longer of these services may, perhaps, ﬁnd a regular
place in the general service; but whether so or not, they will
be excellent as occasional exercises, for example, “ The Seven
Promises,” on receiving members into the church, “Show us
Thy mercy,” “Fast Day,” etc.

The antiphonal reading and singing should be closely
connected. As soon as the reading closes, the response be-
gins, and vice versa. In earnest passages a little anticipation
will have a good effect.

The value of short, simple, appropriate sentences, both
before and after prayer, when sung in a subdued and reverent
manner, is now well known so that no explanation is needed of
the pieces from page 270 to page 292, excepting that some may
be connected together, or with the Responsive Services.

The sentences and pieces “ during collection” are in series.
Two, three, four, or more, may be sung in connection. This
is to enable the choir to make their singing longer or shOrter,
according to the time of collection, Series may be formed by
selecting according to keys, anywhere in this department of
the book.

Let teachers, or choristers, and choirs, who desire to interest
their communities in this subject, ﬁrst meet themselves, and
prepare their part of these services, and then on some con-
venient evening invite “ all the people” to join in their prac-
tice; and, while seeking the musical results which may be
obtained by right qualities of tone, correct phrasing, distinct
articulation and careful dynamic shadings, it is hoped that the
main object of this book will be kept in mind, and that it
may prove to be of real use to “the Service of Song in the
House of the Lord.” G. F. R.

 

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’ “ Praise ya the L0rzl.”~—Cl10ir.
NO- 1- OLD HUNDRED SERVICE { “ From all l/zal dwell éclow z‘lze skz'cs.”—Cl10ir and Congregation.

    

 
 

 

 

 

 

 

 

 

 

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GENERAL PRAISE.
“let the peoplepraise Thee, 0 God.”—Choir.
Na 2 DOXOLOGY SERVICE“ { “ Praise God, from whom all hlessz'ngsﬂow.”—Choit and Congregation.

f G. F. R.

      
    
        
     
  

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Praise God, from Whom all blessings ﬂow ;

PEO - PLE praise .......... Praise Him, all creatures here below;

  
 
 

Praise Him above, ye heavenly host;
Praise Father, Son and Holy Ghost

This anthem may almfrecede' “From all that dwell” or any version [ft/1e moth Psalm.

 

 

  

 

 

  

GENERAL PRAISE.

    

“Anya/ct, ye saints, awake.”—Ch0ir.

NO- 3- STEPHENS SERVICE { “ With/by we lzaz'l t/ze sacrm’ (lay.”—Ch0ir and Congregation.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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8 ' GENERAL PRAISE.

Stephens Service.—-C0NCLUDED.

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hom- age pay, Your Joy- ful hom- age pay, A- wake, ye saint, a- -wake! and hail this sa— cred day.
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110m ~ age pay, Your joy — ful hom - age pay; A - wake, ye saints,a-wake! and hail this sa-cred day.

 

Choir and Congregation. (Stephenso) Wm. JONES.
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sa - cred day,Which God hath called

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I. With Joy we ha1l the
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2. Thy chosen temple, Lord, how fair,
Where Willing votaries throng,

_ _ To breathe the humble, fervent prayer,

' U And pour the choral song.

we 0 - bey, To wor - ship at his throne.

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3. Let peace Within her walls be found.
Let all her sons unite,
To spread with grateful zeal around
Her clear and shining light.

 

1 - ‘God be merciful unto us and bless us, ”—Ghoir.
N0" 4' Nettleton sen/108‘ l “Come, thou Fount of every blessing ”~Ghoir and Congregation.

Choir. Mf/[J/ bilijlufll/{V- - [res .................... G. F. R.

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God be mer—c1-ful un - to us, be mer - c1—fu1 and bless us, and cause His face to shine, to

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Choir and Congregation.

      

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Choir and Congregation. (Lischem) Arr. by DR. Mason.

 

I. \ el-come, e-light—ful 1110111! Thou y of sa~ lest;
I hail thy kind re- ; L01d make these mo—ments best } From low de-lights, and mor- tal toy,s

2. De-scend, ce- es -tial Dove, With all thy quick’ning pow’ rs;
Dis-close a Sav—ior’s love, And bless these sa-med hours. Then shall my soul new life ob-tain,

I soar to reach im-mor tal joys.
Nor Sab-baths be en-joyed in vain.

I soar to reach im-mor-tal joys, 1 soar to reach

Nor Sub-baths be en-joyed in vain, Nor Sal) — baths be en-joyed 1n vain.

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12 GENERAL PRAISE.

' “ 0 Lom’ our Lord, how excellent 1'5 771}! name.’ ’-Cl10ir.
NO' 6 MARLOW SERVICE { “Let a]! ﬁle [ands wit/z Mom‘s quoy.”—Cl10ir and Congregation.

 

 

 

 

 

 

 

 

 

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Marlow Service.—-C0NCLUDED.

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of His name. And spread His glo-rious praise,

  
  
     
 

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ho - ly fear Of Thy great name ex - press. All nations when Thou hast made,

     

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NO' 7 THATCHER SERVICE { “To God 272 whom [my ” —Choir and Congregation.

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help, From whence doth come my help.

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14. GENERAL PRAISE.

Thatcher Service.——CONTINUED. Solo, Tenor or Soprano.
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My help com - eth from the Lord,from the
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made the heav’ ns,which made the heav’ ns and earth.
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Lord which made heaV’ en and earth,