xt7wh707x99n https://nyx.uky.edu/dips/xt7wh707x99n/data/mets.xml https://nyx.uky.edu/dips/xt7wh707x99n/data/2011ms069.dao.xml Cortot, Alfred, 1877-1962 14911853 375.0 volumes As a pianist and music educator, Alfred Cortot actively collected materials relevant to his study of the history and theoretical structure of music and music performance. This collection contains primarily theoretical and historical treatises from the 15th to the 19th centuries that were once owned by Cortot. collections English University of Kentucky This digital resource may be freely searched and displayed.  Permission must be received for subsequent distribution in print or electronically.  Physical rights are retained by the owning repository.  Copyright is retained in accordance with U. S. copyright laws.  For information about permissions to reproduce or publish, contact the Special Collections Research Center. Alfred Cortot Collection Music--History and criticism Music--Instruction and study Music--Philosophy and aesthetics Music--Theory--19th century Music--Theory--Early works to 1800 Musical instruments--Early works to 1800 Musical notation--Early works to 1800 Singing--Instruction and study Alfred Cortot Collection text Alfred Cortot Collection 1491 2015 true xt7wh707x99n collection false 
     
         2011ms069 
         
             
                 Alfred Cortot Collection, 
                     1491-1853 
                     2011ms069 
                 
                 Cortot, Alfred Collection 
                 Finding aid prepared by Processed by Processed by Archives Staff 
             
             
                 
                     
                 
                 University of Kentucky Special Collections 
                 
                     Special Collections 
                     Margaret I. King Building, North 
                     Lexington, KY, 40506-0039 
                     (859) 257-8611 
                     SCLREF@LSV.UKY.EDU 
                 
                 2006 
             
         
         
             This finding aid was produced using the Archivists' Toolkit
                 2015-04-28T13:12-0400 
             
             Description is in 
                 English. 
         
         
             
                 2015 January 27 
                 Megan Mummey 
             
         
     
     
         
             Alfred Cortot Collection 
             2011ms069 
             
                 University of Kentucky Special Collections 
             
             
                 
             
             
                 375.0 volumes 
             
             1491-1853 
             As a pianist and music educator, Alfred Cortot actively collected materials relevant to his study of the history and theoretical structure of music and music performance. This collection contains primarily theoretical and historical treatises from the 15th to the 19th centuries that were once owned by Cortot. 
             
                 Cortot, Alfred, 1877-1962 
             
         
         
             Conditions Governing Access note 
             Materials must be used in Special Collections Research Room. 
         
         
             Conditions Governing Use note 
             Materials are in the public domain. 
         
         
             Preferred Citation note 
             Each book should be cited as a book would be cited. 
         
         
             Biographical note 
             Alfred Denis Cortot was born in Nyon, Switzerland, September 26, 1877 and died in Lausanne, Switzerland, June 15, 1962. However, he lived most of his life in Paris. Cortot was a well-known pianist both as a soloist and in a trio he formed with Jacques Thibaud (violin) and Pablo Casals ('cello). As an educator, he was Professor of Piano at the Paris Conservatoire and founded, with violinist Adolphe Mangeot, the Ecole Normale de Musique where he served as director until his death. Cortot wrote three books on French piano music and published more than eighty editions of piano music of various composers. He recorded extensively and is regarded as one of the outstanding pianists of the twentieth century. Cortot was also an avid collector of musical autographs, literature, first and early editions, letters portraits, coins and postage stamps, and he published a catalog of his early books on music theory and history. A large percentage of the books in this collection are listed here. 
         
         
             Scope and Contents note 
             These are materials (accession number 2011ms069) which were once owned by pianist and music educator Alfred Cortot. The collection consists primarily of early monographs from his extensive accumulation of music-related works. The materials contain monographs, pamphlets, scores, and manuscripts dealing with the theory and history of music composition, performance, aesthetics, and philosophy. 
         
         
             Cortot, Alfred, 1877-1962 
             Music--History and criticism 
             Music--Instruction and study 
             Music--Philosophy and aesthetics 
             Music--Theory--19th century 
             Music--Theory--Early works to 1800 
             Musical instruments--Early works to 1800 
             Musical notation--Early works to 1800 
             Singing--Instruction and study 
         
         
             
                 
                     Entries A-D 
                 
                 
                     
                         ADAMI DA BOLSENA, Andrea, 1663-1742. 
                     
                     
                         Scope and Contents note 
                         OSSERVAZIONI | PER BEN REGOLARE | IL CORO DE I CANTORI | DELLA | GAPPELLA PONTIFICIA | Tanto nelle Funzioni ordinarie, | che straordinarie | FATTE | DA ANDREA ADAMI DA BOLSENA | tra gl' Arcadi CARICLE PISEO | Maestro della medesima Cappella, e Benefiziato | di S. Maria Maggiore | Sotto il Glorioso Pontificato | DI PAPA | CLEMENTE XI. | E DEDICATE | ALLA SANTITA' SUA. ¦ IN ROMA MDCCXI. Per Antonio de' Rossi alla Piazza di Ceri. | CON LICENZA DE' SUPERIORI. 
                         10 ff., xlvj, 1 f., 215 p. + 3 p. 
                         MT88 .A2 A19 1711 
                     
                 
                 
                     
                         [ADLUNG, Jakob, 1699-1762] 
                     
                     
                         Scope and Contents note 
                         Anleitung | zur | musikalischen Gelahrheit | worinn | von der Theorie und Praxis | der | Alten und Neuen Musik, | von den | musikalischen Instrumenten, besonders der Orgel, | Nachricht gegeben, | und die in jedes Fach gehören Bücher | bekannt gemacht werden. | Zweite Auflage, | besorgt von | Johann Adam Hiller. ¦ Dresden und Leipzig | in der Breitkopfischen Buchhandlung. 1783. 
                         976 p. + 8 folded sheets; not in Cortot catalog 
                         ML100 .A2 A23 1783 
                     
                 
                 
                     
                         [AGRIPPA VON NETTESHEIM, Heinrich Cornelius, 1486?-1535.] 
                     
                     
                         Scope and Contents note 
                         PARADOXE | SVR L'INCER- | TITVDE, VANITE' | & abus des Sciences. | Traduite en François, du Latin de | Henry Corneille Agr. | Oeuure qui peut profiter, & qui | apporte merueilleux contente- | ment à ceux qui frequentent les Cours desgrands Seigneurs, & qui veulent apprendre à dis- | coutir d'vne infinité de choses | contre la commune opinion. ¦ M.D.C.III. 
                         10 ff. (+ 2 blank sheets), 390 ff. numbered. 
                         B781 .A33 I54 1603 
                     
                 
                 
                     
                         AIGUINO, Illuminato, b. 1520? 
                     
                     
                         Scope and Contents note 
                         IL TESORO | ILLVMINATO | DI TVTTI I TVONI | DI CANTO FIGVRATO, | CON ALCVNI BELLISSIMI SECRETI, | non da altri più scritti: | Nuouamente composto dal Reuerendo Padre | Frate Illuminato Aijguino Bresciano, | dell' ordine Serafico d' offeruanza. | CON PRIVILEGIO. ¦ IN VENETIA, Appresso Giouanni Varisco. | MDLXXXI. 
                         4 ff., 88 ff. numbered + 4 ff.; not in Cortot catalog 
                         MT55 .A28 1581 
                     
                 
                 
                     
                         ALBRECHTSBERGER, Johann Georg, 1736-1809. 
                     
                     
                         Scope and Contents note 
                         Johann Georg Albrechtsbergers, | K.K. Hoforganistens zu Wein | gründliche | Anweisung | zur | Conposition; | mit | deutlichen und ausführlichen Exempeln, | zum Selbstunterrichte, | erläutert; | und mit | einem Anhange: | Von der Beschaffenheit und Anwendung aller jetzt üblichen | musikalischen Instrumente. ¦ Leipzig, | bey Johann Gottlob Immanuel Breitkopf, 1790. 
                         2 ff., 440 p. 
                         MT40 .A2 A34 1790 
                     
                 
                 
                     
                         [ALEMBERT, Jean Le Rond d', 1717-83.] 
                     
                     
                         Scope and Contents note 
                         ÉLÉMENS | DE | MUSIQUE, THEORIQUE ET PRATIQUE, | SUIVANT | LES PRINCIPES DE M. RAMEAU. ¦ A PARIS, | Chez {DAVID l'aîné, rue S. Jacques, à la Plume d'Or. | {LE BRETON, Imprimeur ordinaire du Roi, au | bas de la rue de la Harpe. | {DURAND, rue S. Jacques, à S. Landry, & au Griffon. | M. DCCLII. | AVEC APPROBATION ET PRIVILEGE DU ROI. 
                         xvj, 172 p. + 2 ff. + 10 folded sheets 
                         ML3815 .A2 A52 1752 
                     
                 
                 
                     
                         [ALEMBERT, Jean Le Rond d', 1717-83] 
                     
                     
                         Scope and Contents note 
                         ÉLÉMENS | DE | MUSIQUE, | THÉORIQUE ET PRATIQUE, | SUIVANT | LES PRINCIPES DE M. RAMEAU. ¦ A PARIS, | Chez CHARLES-ANTOINE JOMBERT, Impromeur- | Libraire, rue Dauphine. | A LYON, | Chez JEAN-MARIE BRUYSET, Imprimeur-Libraire, rue Merciere, au Soleil. | M. DCC. LIX. | AVEC APPROBATION ET PRIVILEGE DU ROI. 
                         xvj, 172 p. + 2 ff. + 10 folded sheets 
                         ML3815 .A2 A52 1759 
                     
                 
                 
                     
                         ALEMBERT, Jean Le Rond d', 1717-83. 
                     
                     
                         Scope and Contents note 
                         ÉLÉMENS | DE | MUSIQUE, | THÉORIQUE ET PRATIQUE, | SUIVANT | LES PRINCIPES DE M. RAMEAU, | ÉCLAIRCIS, DÉVELOPPÉS ET SIMPLIFIÉS, | Par M. D'ALEMBERT, de l'Académie Françoise, des | Académies Royales des Sciences de Feance, de Prusse & | d'Angleterre, de l'Académie royale des Belles-Lettres de | Suede, & de l'Institut de Bologne. | NOUVELLE EDITION, | Revue, corrigée & considérablement augmentée. ¦ A LYON, Chez JEAN-MARIE BRUYSET, Imprimr. Libraire. | M. DCC. LXII. | AVEC APPROBATION ET PRIVILEGE DU ROI. 
                         2 ff. + xxxvj, 236 p. + 2 ff. + 10 folded sheets 
                         ML3815 .A2 A52 1762 
                     
                 
                 
                     
                         ALEMBERT, Jean Le Rond d', 1717-83. 
                     
                     
                         Scope and Contents note 
                         ÉLÉMENS | DE | MUSIQUE, | THÉORIQUE ET PRATIQUE, | SUIVANT | LES PRINCIPES DE M. RAMEAU, | ÉCLAIRCIS, DÉVELOPPÉS ET SIMPLIFIÉS, | Par M. D'ALEMBERT, de l'Académie Françoise, des | Académies Royales des Sciences de Feance, de Prusse & | d'Angleterre, de l'Académie royale des Belles-Lettres de | Suede, & de l'Institut de Bologne. | NOUVELLE EDITION, | Revue, corrigée & considérablement augmentée. ¦ A LYON, Chez JEAN-MARIE BRUYSET, Imprimr. Libraire. | M. DCC. LXVI. | AVEC APPROBATION ET PRIVILEGE DU ROI. 
                         2 ff. + xxxvj, 236 p. + 2 ff. + 10 folded sheets 
                         ML3815 .A2 A52 1766 
                     
                 
                 
                     
                         [AMAT, Joan Carles y, c.1572-1642.] 
                     
                     
                         Scope and Contents note 
                         GUITARRA | ESPAÑOLA , Y VANDOLA | en dos maneras de Guitarra , Caste- | llana , y Cathalana de cinco Ordenes, | la qual enseña de templar , y tañer | rasgado , todos los puntos naturales, | y b , mollados , con estilo | maravilloso. | Y PARA PONER EN ELLA QUAL- | quier tono, se pone una tabla, con la qual | podra qualquier sin dificultad cifrar el | tono, y despues tañer, y cantarle por do- | ze modos. Y se baze mencion tambien | de la Guitarra de quatro ordenes. ¦ Gerona: Por Joseph Bro , Impresor. [1639?] 
                         4 ff. + 56 pp. (signatures not cut.); (dedicatory letter to the author dated 30 April 1639.) 
                         MT582 .A43 G8 1639 
                     
                 
                 
                     
                         [ANDRE, Yves Marie, 1675-1764.] 
                     
                     
                         Scope and Contents note 
                         ESSAI | SUR | LE BEAU, | OU L'ON EXAMINE | en quoi consiste précisément le Beau | dans le Physique, dans le Moral, | dans les Ouvrages d'Esprit, | & dans la Musique. ¦ A PARIS, | Chez HIPPOLYTE-LOUIS GUERIN, | & JACQUES GUERIN, Libraires, rue | S. Jacques, à S. Thomas d'Aquin. | M. DCC. XLI. | Avec Approbation & Privilege du Roi. 
                         viii, 302 p. + 1 f. 
                         N63 .A55 1741 
                     
                 
                 
                     
                         ANDRE, Yves Marie, 1675-1764. 
                     
                     
                         Scope and Contents note 
                         ESSAI | SUR | LE BEAU. | NOUVELLE ÉDITION, | AUGMENTÉE DE SIX DISCOURS, | SUR le MODUS, sur le DECORUM, sur les | GRACES, sur l'AMOUR OU BEAU, sur | l'AMOUR DÉSINTÉRESÉE; | PAR le feu Pere ANDRÉ, Professeur royal de | Mathémathiques, de la Société des Belles- | Lettres de Caën. ¦ A PARIS, | Chez L. ÉTIENNE GANEAU, Libraire, rue | Saint-Severin, aux Armes de Dombes, | & à Saint-Louis. | M. DCC. LXX. | Avec Approbation & Privilége du Roi. 
                         vii, + 5 p., 501 p. 
                         N63 .A55 1770 
                     
                 
                 
                     
                         ANGELINI, Giacomo. 
                         1 
                         1 
                     
                     
                         Scope and Contents note 
                         Angelini Giancomo | Manoscritto che tratte | delle regole del Contrappunto | (ferm e dat. 1718) 
                         manuscript: 62 pp. + 6 ff.; not in Cortot catalog 
                     
                 
                 
                     
                         ANGELO DA PICITONO, fl. 1547. 
                     
                     
                         Scope and Contents note 
                         FIOR ANGE- | LICO DI MVSICA: | Nuouamente dal R. P. frate | Angelo da Picitono, Conuen | tuale, dell' ordine minore, | Organista preclarissi- | mo, composto. | Nelqual si contegono alcune, bellissime | dispute contra quelli che dicono, la | Musica non esser scienza: Con al | tre molte questioni, & solu- | tioni di varii dubbii: | Pur hora da lui da- | to in luce. | M D XLVII. ¦ (Colophon): In Vinegia per Agostino Bindoni, | M D XLVII. 
                         4 ff. (facs. "from example in the Royal Library of Belgium"), 94 ff. + 4 ff. 
                         ML171 .A56 1547 
                     
                 
                 
                     
                         [ANONYMOUS.] 
                     
                     
                         Scope and Contents note 
                         Compendiu musices | confectu ad facilior instruction can- | tum choral discenti : necn ad intro- | duction huius libelli : qui Ctorinus | intitulatur : omnibus diuino cultui de- | ditis putilis (?) necessarius : vt in tabula | hic immediate sequti latius apparet. ¦ (colophon): Finis Cantorini Romani : impressi | Uenetiys p om Lucantioni de | Giunta Florentinu(?) : Anno | di millesimo gngente | simo tertiodecimo die (?)tertis | decbris. 
                         120 ff. numbered; not in Cortot catalog 
                         MT860 .C73 
                     
                 
                 
                     
                         [ANONYMOUS.] 
                     
                     
                         Scope and Contents note 
                         CONCERTS | OF | ANTIENT MUSIC, | UNDER | THE PATRONAGE | OF | THEIR MAJESTIES: | AS PERFORMED AT | The New Room, | KING'S THEATRE, HAYMARKET. | 1798. ¦ London: | PRINTED FOR W. LEE, | BY SAMPSON LOW, BERWICK STREET. 
                         139 p. 
                         ML28 .L8 A57 1798 
                     
                 
                 
                     
                         [ANONYMOUS.] 
                     
                     
                         Scope and Contents note 
                         CONCERTS | OF | ANTIENT MUSIC, | UNDER | THE PATRONAGE | OF | THEIR MAJESTIES; | AS PERFORMED AT | The New Room, | KING'S THEATRE, HAYMARKET. | 1800. ¦ London: | PRINTED FOR W. LEE, | BY SAMPSON LOW, BERWICK STREET. 
                         i-xiv, 15-18, 1-155 p. 
                         ML28 .L8 A57 1800 
                     
                 
                 
                     
                         [ANONYMOUS.] 
                         1 
                         2 
                     
                     
                         Scope and Contents note 
                         Dictionaire | des mots | Italiens & Latins | Employés | Dans la | Musique française. ¦ [ca. 1750.] 
                         manuscript: 19 pp. 
                         + problême. | trouver le mode et la tonique | d'une pièce de Musique | Donnée? 
                         manuscript: pp. 21-22. 
                         + Valeur des Notes | Relativement à la mesure. 
                         manuscript: p. 23. 
                         not in Cortot catalog 
                         (signature on front end sheet: "Zoe Vinet"?) 
                     
                 
                 
                     
                         [ANONYMOUS.] 
                     
                     
                         Scope and Contents note 
                         [Encyclopédie Méthodique D'Alembert-Diderot. Arts & Métiers Tome quartieme ¦ Paris 1785, Panckoucke] 
                         penciled on end-sheet: INSTRUMENS DE MUSIQUE, ET LUTHERIE. | {Art du faiseur d'} Enc. IIIa + IIIb (plates only--extensive notations (by Cortot?) on verso of several plates) 
                         186 p. + 21 ff. 
                         + 19 ff. (in separate envelope) 
                         Ml469 .I57 1785 
                     
                 
                 
                     
                         [ANONYMOUS.] 
                     
                     
                         Scope and Contents note 
                         [Encyclopedie II Tome IV ¦ Paris 1785] 
                         "Instrument de Musique" 
                         19 ff. 
                         + "Luthier" 
                         22 ff. 
                         ML469 .I570 1785 
                     
                 
                 
                     
                         [ANONYMOUS.] 
                         1 
                         3 
                     
                     
                         Scope and Contents note 
                         Examen de la conférence sur la Musique inserée dans | Le deuxieme volume du Mercure de juin 1729 page 1281. 
                         manuscript: 4 ff. 
                         + Conference sur la Musique 
                         manuscript: 3 ff. 
                     
                 
                 
                     
                         [ANONYMOUS.] 
                     
                     
                         Scope and Contents note 
                         Histoire d'une Coquette de l'Opera. | SI UNE COQUETTE | peut retenir avec justice les | gains qu'elle a faits dans son | commerce galant. | Raisons pour & contre. ¦ [after 1730 (see p.275)] 
                         brochure, pp. 231-276; not in Cortot catalog. 
                         GV1740 .S5 1740 
                     
                 
                 
                     
                         [ANONYMOUS.] 
                         1 
                         4 
                     
                     
                         Scope and Contents note 
                         Plan abregé d'une Methode | nouvelle d'accompagnement | pour le Clavecin. 
                         manuscript: 7 ff.; not in Cortot catalog. 
                     
                 
                 
                     
                         [ANONYMOUS.] 
                         1 
                         5 
                     
                     
                         Scope and Contents note 
                         Principes ou Regles pour apprendre facilement | L'accompagnement de la Basse Continüe | Sur Le Clavecin. ¦ (at end): P.A.D. | fecit | 1782 
                         manuscript: 12 pp.; not in Cortot catalog. 
                     
                 
                 
                     
                         ANSALDI, Casto Innocente, 1710-1780. 
                     
                     
                         Scope and Contents note 
                         CASTI INNOCENTIS | ANSALDI | ORDINIS PRAEDICATORUM | DE | FORENSI JUDAEORUM | BUCCINA | COMMENTARIUS. ¦ Excudebat BRIXIAE (Brescia) Johannes-Maria Rizzardi | M.D.CCXLV. | SUPERIORUM AUCTORITATE. 
                         XXIV, 124 p. 
                         DS111.8 .A6 1745 
                     
                 
                 
                     
                         ANTONIOTTO, Giorgio, c.1692-1776. 
                     
                     
                         Scope and Contents note 
                         L'Arte Armonica | OR | A Treatise on the Composition of | MUSICK, | In Three Books; | With an Introduction, on the HISTORY, and | PROGRESS of MUSICK, from it's (sic) beginning to this Time, | Written in Italian by | GIORGIO ANTONIOTTO, | AND | Translated into English. | Vol: I ¦ London; Printed by John Johnson in Cheapside. | 1760. 
                         v.1 4 ff. 109 pp. 
                         v.2 62 pp. 
                         MT40 .A2 A620 1760 
                     
                 
                 
                     
                         ARISTOTLE 
                     
                     
                         Scope and Contents note 
                         APISTOTELOYS | G(?)O?ITIKON BIBLIA O'KTO. | ARISTOTELIS POLITICO- | rum libri octo. ¦ PARISIIS, | Excudebat Christianus Wechelus, sub Pegaso, in | vico Bellouacensi, Anno salutis | M. D. XLIX. 
                         1-96, leaves 29-78, 81 (extensive annotations on first 30 p.); (Latin mss. Label to spine); (from Wolfheim coll.) 
                         written on t.p.: Monastarij Weingartensis fn¤ 1598 
                         PA3893 .P8 W4 1549 
                     
                 
                 
                     
                         ARISTOTLE. 
                     
                     
                         Scope and Contents note 
                         De obiecto Auditus. 
                         See ARISTOXENUS, Musici Antiqvuss. 
                     
                 
                 
                     
                         ARISTOXENUS 
                     
                     
                         Scope and Contents note 
                         ARISTOXENI | MVSICI ANTIQVISS. | HARMONICORVM ELEMENTORVM | LIBRI III. | Cl. Ptolemaei Harmonicorum, seu de Musica lib. III. | Aristotelis de obiecto Auditus fragmentum | ex Porphyrij commentarijs. | Omnia nunc primum latine conscripta & edita | ab Ant. Gogauino Grauiensi. | CVM PRIVILEGIIS. ¦ Venetijs, Apud Vincentuim Valgrisium | M D LXII. 
                         ARISTOXENUS, p. 1-45 
                         PTOLEMEE, p. 46-150 
                         ARISTOTLE, p. 151-160 
                         PORPHYRE, p. 161-165 
                         Z233 .I8 A73 1562 
                     
                 
                 
                     
                         ARNAUD, François, 1721-1784. 
                     
                     
                         Scope and Contents note 
                         Memoire 
                         See ROCHEFORT, Recherches. 
                     
                 
                 
                     
                         ARTUSI, Giovanni Maria, d. 1613. 
                     
                     
                         Scope and Contents note 
                         L'ARTE DEL CONTRA- | PONTO, DEL REVER | D. GIO. MARIA ARTVSI | DA BOLOGNA, | Canonico Regolare delle Congregatione del Saluatore; | Nella quale con ordine, e modo facilissimo si inse- | gnano tutte quelle Regole, che a questa | Arte sono necessarie. | Nouamente ristampata, & di molte nuoue aggiunte, | dall' Auttore arrichita. | Con due Tauole, vna de Capitoli, & l'altra | delle cose piu notabili. ¦ IN VENETIA, | Appresso Giacomo Vincenti, 1598. 
                         6 ff., 80 p. 
                         ML171 .A79 1598 
                     
                 
                 
                     
                         ASIOLI, Bonifazio, 1769-1832. 
                     
                     
                         Scope and Contents note 
                         Lehrbuch | der | Anfangsgründe der Musik | in Fragen und Antworten | Zum Unterricht | in dem Conservatorium von Mailand ungefhrt. | Verfasst | von | B. Asioli, | Direktor des Conservatorium. | Frei bersetzt | von | C.C. Bttinger. ¦ Mainz, 1823. | In der Grossh. Hess. Hofmusikhandlung von B. Schott, Shne. 
                         2 ff., 63 pp. + 3 pp. + 16 folded sheets at end; not in Cortot catalog. 
                         MT7 .A8515 1823 
                     
                 
                 
                     
                         ATHENAEUS, of Naucratis. 
                     
                     
                         Scope and Contents note 
                         ATHENAEI | Dipnosophistarum si | ue Coenæ sapi- | entum | LIBRI XV. | NATALE DE COMITI- | bus Veneto nunc prim è Græca | in Latinam lingu uertente. | COMPLVRIBVS EX MANVSCRI- | ptis antiquissimis exemplaribus, Mediceæ præsertim bibliothe | cæ, in hac posteriore editione additis, quæ in Græcè | hactenus impressis voluminibus non | repariebantur. | Cum Cæs. Maiestatis gratia | & priuilegio. ¦ BASILEÆ. (colophon) BASILEAE | PER HENRICHVM PE- | TRI, MENSE AV- | GVSTO ANNO | M. D. LVI. 
                         26 ff., 1122 p. + 1 f. 
                         PA3937 .A5 1556 
                     
                 
                 
                     
                         AUGUSTINE, Saint, Bishop of Hippo, 354-430. 
                     
                     
                         Scope and Contents note 
                         Aurelii Augustini opuscula plu | rima: quedan n plus imssa ¦ (colophon) ipsis opa Diony- | sii Bertochi de Bolonia Venetie occuratissi- | me presso?. finis Anno a natiuitate saluatoris | nostris. M.CCCCXCI. die. xxvi. Martii. 
                         9 ff., 338 ff. (numbered Roman) + 1 f. 
                         BR65 .A52 1491 
                     
                 
                 
                     
                         AVISON, Charles, d. 1770. 
                     
                     
                         Scope and Contents note 
                         AN | ESSAY | ON | MUSICAL EXPRESSION. | By CHARLES AVISON, | Organist in NEWCASTLE. | With ALTERATIONS and Large ADDITIONS. | To which is added, | A LETTER to the AUTHOR, | concerning the Music of the ANCIENTS, | and some Passages in CLASSIC WRITERS, | relating to that subject. | LIKEWISE, | Mr. AVISON's REPLY to the Author of | Remarks on the Essay on MUSICAL EXPRESSION. | In a Letter from Mr. Avison, to his Friend in London. | THE THIRD EDITION. ¦ LONDON, | Printed for LOCKYER DAVIS, in Holborn. | Printer to the ROYAL SOCIETY. | MDCCLXXV. 
                         VIII, 221 p. + 2 p. 
                         ML3847 .A98 1775 
                     
                 
                 
                     
                         BACCHINI, Benedetto, 1651-1721. 
                     
                     
                         Scope and Contents note 
                         DE | SISTRORUM | FIGURIS AC DIFFERENTIA | Ad Illustrissimum D. | D. LEONEM STROZZA | OB SISTRI ROMANI EFFIGIEM | COMMVNICATAM, | DISSERTATIO | AUCTORE | D. BENEDICTO BACCHINO | Monacho S. Benedicti apud Divum Joh. Evangelistam, | S. Officii Consultore, | ac Serenissimi RAYNUCII II. Parmae, Plac. & c. Ducis | Theologo. ¦ BONONIÆ [Bologna], M. DC. XCI. | Ex Typographia Pisariana. Superiorum permissu. 
                         2 ff., 3 double plates, 25 p. + 1 p. 
                         ML1049 .B33 1691 
                     
                 
                 
                     
                         BACH, Carl Philipp Emanuel, 1714-1788. 
                     
                     
                         Scope and Contents note 
                         Versuch | über die wahre Art | des Clavier zu spielen | mit Exempeln | und achtzehn Probe=Stücken in sechs Sonaten | erläutert | von | Carl Philipp Emanuel Bach, | Königl. Preuss. Cammer=Musikus. ¦ Berlin, in Verlegung des Auctoris. | Gedruckt bey dem Königl. Hof=Buchdrucker Christian Friedrich Henning. | 1753. 
                         4 ff., 135 p. 
                         + Carl Philipp Emanuel Bachs | Versuch | über die wahre Art | das Clavier zu spielen | Zweyter Theil, | in welchem die Lehre von dem Accompagnement | und der freyen Fantasie | abgehandelt wird. | Nebst einer Kupfertafel. | In Verlegung des Auctoris. ¦ Berlin, 1762. | Gedruckt bey George Ludewig Winter. 
                         5 ff., 341 p. + 1 p. + 1 folded sheet. 
                         MT224 .B132 V47 1753 
                     
                 
                 
                     
                         BACON, Francis, 1561-1626. 
                     
                     
                         Scope and Contents note 
                         SYLVA | SYLVARVM: | OR | A Naturall Historie. | IN TEN CENTVRIES. | VVRITTEN BY THE RIGHT | Honourable FRANCIS LO. Verulam | Viscount St ALBAN. | Published after the Authors death, | BY WILLIAM RAVVLEY Doctor in Divinity, | one of his Majesties Chaplaines. | Hereunto is now added an Alphabeticall Table of the prin- | cipall things contained in the whole Work. | The fifth Edition. ¦ LONDOWN, | Printed by John Haviland, for William Lee, and | are to be sold at the Great Turks Head next to the Mitre | Taverne in Fleetstreet. 1639. 
                         8 ff., 218 p. + 11 ff. 
                         + NEVV | ATLANTIS. | A VVorke unfinished. | VVritten by the Right Honourable, FRANCIS, | Lord Verulam, Viscount S Alban. 
                         2 ff., 43 p. 
                         508 B132 5th ed. 
                     
                 
                 
                     
                         [BAILLEUX, Antoine, d. 1791.] 
                     
                     
                         Scope and Contents note 
                         METHODE | POUR | APPRENDRE FACILEMENT | la Musique vocale et instrumentale | Ou tous les sont developés avec beaucoup | de Clarté, | Et cent leçons dans le gout nouveau à une et à deux parties, ce qui | enseigne en très peu de tems a Solfier sur toutes les | Clefs, toutes les Mesures et tous les Tons. | Ouvrage qui conduit jusqu'au dernier degré de pe